International audienceWe investigate the influence of a time-varying blowing pressure on the oscillation threshold and attack transient of a clarinet. In this experimental study, a clarinet is blown through an artificial mouth, which allows the time profile of the blowing pressure to be controlled during the experiment. The chosen profile is a slowly increasing linear ramp, until a given steady value is reached. Different experiments have been carried out and analyzed. Depending on the slope of the ramp and on the steady value, but also on the opening of the reed channel at rest, the steady state (oscillating or not), the oscillation threshold and the attack transient are determined. Does the fact that the blowing pressure varies in time ha...
14 pagesInternational audienceThis paper presents an analysis of the effects of noise and precision ...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...
International audienceSimple models of clarinet instruments based on iterated maps have been used in...
Reed instruments are modeled as self-sustained oscillators driven by the pressure inside the mouth o...
14 pagesInternational audienceUsing an artificial mouth with an accurate pressure control, the onset...
This paper presents an analysis of the effects of noise and precision on a simplified model of the c...
International audienceRecent works on simplified clarinet models using results from dynamic bifurcat...
This research is a contribution to the study of attack transients in clarinet-like instruments. The ...
International audienceThis article uses a basic model of a reed instrument , known as the lossless R...
Notes produced by self-sustained musical wind instruments are characterised by relatively long stret...
Ce travail de recherche est une contribution à l'étude des transitoires d'attaque dans les instrumen...
In self-sustained instruments, starting transients are important timbral characteristics that help i...
This paper focuses on the oscillation threshold of single reed instruments. Several characteristics ...
International audienceThe stationary behavior of flute-like instruments is fairly well understood. M...
14 pagesInternational audienceThis paper presents an analysis of the effects of noise and precision ...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...
International audienceSimple models of clarinet instruments based on iterated maps have been used in...
Reed instruments are modeled as self-sustained oscillators driven by the pressure inside the mouth o...
14 pagesInternational audienceUsing an artificial mouth with an accurate pressure control, the onset...
This paper presents an analysis of the effects of noise and precision on a simplified model of the c...
International audienceRecent works on simplified clarinet models using results from dynamic bifurcat...
This research is a contribution to the study of attack transients in clarinet-like instruments. The ...
International audienceThis article uses a basic model of a reed instrument , known as the lossless R...
Notes produced by self-sustained musical wind instruments are characterised by relatively long stret...
Ce travail de recherche est une contribution à l'étude des transitoires d'attaque dans les instrumen...
In self-sustained instruments, starting transients are important timbral characteristics that help i...
This paper focuses on the oscillation threshold of single reed instruments. Several characteristics ...
International audienceThe stationary behavior of flute-like instruments is fairly well understood. M...
14 pagesInternational audienceThis paper presents an analysis of the effects of noise and precision ...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...
Wind instrument players control the initial and final transients of notes using breath, lips, and to...