Add to ORKGSubjects the current assumption that Shakespeare's texts are theater scripts to what is know about the length of play texts and performances during Shakespeare's time. Focuses on Hamlet to argue that in several plays Shakespeare wrote more than could ever be acted on the early modern stage and that we must thus revise our notion that he wrote unmindful of his plays being read
The fourteen essays included in this collection offer a range of contributions from both new and wel...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
Subjects the current assumption that Shakespeare's texts are theater scripts to what is know about t...
Like a number of other prologues of the early modern period, the prologue to Romeo and Juliet is cle...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Any discussion about the modern reception of Shakespearean dramaturgy has necessarily to deal w...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Critical interpretations of Hamlet are largely dependent upon the cultural zeitgeist that provides t...
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: t...
It is well known that Hamlet is Shakespeare’s longest play. It is somewhat remarkable that one of th...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
This review considers Actors and Acting in Shakespeare’s Time: The Art of Stage Playing
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
The fourteen essays included in this collection offer a range of contributions from both new and wel...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
Subjects the current assumption that Shakespeare's texts are theater scripts to what is know about t...
Like a number of other prologues of the early modern period, the prologue to Romeo and Juliet is cle...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Any discussion about the modern reception of Shakespearean dramaturgy has necessarily to deal w...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Critical interpretations of Hamlet are largely dependent upon the cultural zeitgeist that provides t...
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: t...
It is well known that Hamlet is Shakespeare’s longest play. It is somewhat remarkable that one of th...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
This review considers Actors and Acting in Shakespeare’s Time: The Art of Stage Playing
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
The fourteen essays included in this collection offer a range of contributions from both new and wel...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...