Add to ORKGLast June I spent ten days in Kashmir, India working on new embroidery designs for my company’s range of scarves and home furnishings. I rely upon the expertise of textile artisans skilled in the crafts of sozni, ari, crewel and chain stitch embroidery to assist me in realizing my design concepts. At this time, each year, for over ten years I have returned to Kashmir and gradually develope
To develop a sustainable hand-knitwear project in post conflict Sri Lanka. I was involved in thi...
In 2001 UNESCO invited artisans from 14 different countries to participate and teach in the cultural...
Published in the exhibition: "Craftsman of the Year" March 19 - April 9, 2021The piece is about shar...
Contemporary textile designers are part of a cultural shift that has brought into the mainstream a s...
Contemporary textile designers are part of a cultural shift that has brought into the mainstream a s...
We travelled to the semi rural outskirts of Srinagar in Kashmir to the home of Muneer, a kani shawl ...
On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to ...
India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The wo...
In Kashmiri and especially in Azad Kashmir Namda’s & Gabbas are prepared with unique traditional mot...
The aim of this project is to further enable emancipation of Indian craftswomen through the use of a...
An overview of the challenges and experiences the author had in 2005 while collecting embroidered t...
Five textile specialists from various backgrounds came together to explore shared interests in India...
Ladies and gentlemen, I stand before you, a fish out of water. I\u27m not primarily a scholar of tex...
There is no word for design in India, creativity and making are intertwined. Craft and culture are i...
In this paper I will analyze the development of design within the several-hundred-year-old tradition...
To develop a sustainable hand-knitwear project in post conflict Sri Lanka. I was involved in thi...
In 2001 UNESCO invited artisans from 14 different countries to participate and teach in the cultural...
Published in the exhibition: "Craftsman of the Year" March 19 - April 9, 2021The piece is about shar...
Contemporary textile designers are part of a cultural shift that has brought into the mainstream a s...
Contemporary textile designers are part of a cultural shift that has brought into the mainstream a s...
We travelled to the semi rural outskirts of Srinagar in Kashmir to the home of Muneer, a kani shawl ...
On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to ...
India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The wo...
In Kashmiri and especially in Azad Kashmir Namda’s & Gabbas are prepared with unique traditional mot...
The aim of this project is to further enable emancipation of Indian craftswomen through the use of a...
An overview of the challenges and experiences the author had in 2005 while collecting embroidered t...
Five textile specialists from various backgrounds came together to explore shared interests in India...
Ladies and gentlemen, I stand before you, a fish out of water. I\u27m not primarily a scholar of tex...
There is no word for design in India, creativity and making are intertwined. Craft and culture are i...
In this paper I will analyze the development of design within the several-hundred-year-old tradition...
To develop a sustainable hand-knitwear project in post conflict Sri Lanka. I was involved in thi...
In 2001 UNESCO invited artisans from 14 different countries to participate and teach in the cultural...
Published in the exhibition: "Craftsman of the Year" March 19 - April 9, 2021The piece is about shar...