Metonymy and the Metropolis: Television Show Settings and the Image of New York

This article argues that contemporary portrayals of cityscapes on television cre-ate a “postcard effect, ” a way of seeing that affords the viewer the pleasure of a tourist gaze. This disposition both reflects and legitimizes a fragmented experi-ence of visiting a location without immersing oneself in the intricacies of its poli-tics and geography. Building on critical urban studies, film theory, semiotics, and critical ethnography, this article analyzes depictions of New York City in five television shows (Seinfeld, Friends, Sex and the City, Felicity, and The Sopranos) to demonstrate how metonymic representations of the city produce a narrative of a tourist destination on display