Via Chris Marker & Alain Resnais' works vis-à-vis creative untimeliness (Nietzsche), Untimely Affects assesses limits and potentials of film, thought, self. UNTIMELY AFFECTS examines the role of affect in works by Marker and Resnais whose film and multimedia works respond to events of violence and war, including the Holocaust, Hiroshima, postcolonialism and 9/11. The book contemplates a reflexive relation between perceiver-perceived – film, screen, camera, viewer, filmmaker. Through close readings, consciousnesses of various reflective screens and surfaces are interrogated so that the faces of television sets, billboards, the eyes of all the worlds a traveller confronts, engender a movement and consciousness of pure duration itself. ...
Focusing on Chris Marker’s seminal avant garde short La Jetée, the article considers the film’s trea...
Sean Cubitt’s book, The Cinema Effect, is an intricate philosophical analysis of film. Following fro...
This project has explored the relationship between the moving image and temporal experience. Acknowl...
This paper looks at Alain Resnais’ Last Year in Marienbad (1961) and Chris Marker’s La Jetée (1962)....
This thesis constitutes a new ethical, film-philosophical approach to the films of the three rive ga...
In this paper, I use two films—Les Statues MeurrentAussi (Statues also Die, 1953) directed by Resnai...
This thesis explores how some recent French films engage with the problem of correlation in their po...
Book review of Jean-Louis Schefer's The Ordinary Man of Cinema (2016) with particular attention to S...
International audienceThe essay film is defined by its capability to embody an audiovisual thinking ...
‘Forensic medicine,’ Claire Colebrook observes, ‘has its own functions and styles of inhuman observa...
The emergence of time travel as a widespread literary theme in the fin-de-siècle period was part of ...
This study firstly addresses three threads in Chris Marker’s work – theology, Marxism, and Surrealis...
This thesis is an investigation into the critical power of a work of art. This critical power is see...
The paper compares how two theorists of media arts, Mark B. N. Hansen and Laura U. Marks, interpret ...
This paper explores notions of realism, evidence, undecidability and faith in the context of our rel...
Focusing on Chris Marker’s seminal avant garde short La Jetée, the article considers the film’s trea...
Sean Cubitt’s book, The Cinema Effect, is an intricate philosophical analysis of film. Following fro...
This project has explored the relationship between the moving image and temporal experience. Acknowl...
This paper looks at Alain Resnais’ Last Year in Marienbad (1961) and Chris Marker’s La Jetée (1962)....
This thesis constitutes a new ethical, film-philosophical approach to the films of the three rive ga...
In this paper, I use two films—Les Statues MeurrentAussi (Statues also Die, 1953) directed by Resnai...
This thesis explores how some recent French films engage with the problem of correlation in their po...
Book review of Jean-Louis Schefer's The Ordinary Man of Cinema (2016) with particular attention to S...
International audienceThe essay film is defined by its capability to embody an audiovisual thinking ...
‘Forensic medicine,’ Claire Colebrook observes, ‘has its own functions and styles of inhuman observa...
The emergence of time travel as a widespread literary theme in the fin-de-siècle period was part of ...
This study firstly addresses three threads in Chris Marker’s work – theology, Marxism, and Surrealis...
This thesis is an investigation into the critical power of a work of art. This critical power is see...
The paper compares how two theorists of media arts, Mark B. N. Hansen and Laura U. Marks, interpret ...
This paper explores notions of realism, evidence, undecidability and faith in the context of our rel...
Focusing on Chris Marker’s seminal avant garde short La Jetée, the article considers the film’s trea...
Sean Cubitt’s book, The Cinema Effect, is an intricate philosophical analysis of film. Following fro...
This project has explored the relationship between the moving image and temporal experience. Acknowl...