abstract: Jonathan Eburne's essay, "Leonora Carrington, Mexico, and the Culture of Death," studies Carrington's written work from the mid-1950s, when she collaborated with avant-garde groups in Mexico City, including the Poesía en Voz Alta theater group (1956-57) and the journal S.NOB (1962). In particular, it examines Carrington's adaptation of the contemporary Mexican interest in pre-Columbian cultures of death; Carrington's midcentury work, Eburne argues, develops this Mexican "culture of death" as both a response and a contribution to European existentialist and surrealist systems of ethics
abstract: Comparison of the literary and artistic uses and images of pre-Columbian Mexican and Maya ...
This paper raises the interest in the early works of the surrealist artist, still relatively unknown...
In this essay I have woven together the outstandingly magical and memorable events that introduced m...
Part One deals with Carrington's association with the Surrealist movement and looks at her texts as ...
This essay argues that the objects in Leonora Carrington’s kitchen, as represented in her writing an...
In 1940, the surrealist artist and writer Leonora Carrington (1917–2011) was incarcerated in a Spani...
In 1940, the surrealist artist and writer Leonora Carrington (1917–2011) was incarcerated in a Spani...
This chapter explores long-term research on Leonora Carrington and contemporary art. A magpie for su...
This essay takes as its theme the fascination with the forensics of death as a focus of interest for...
During the 1920s, war, political flux, and social revolution ravaged Western Europe as xenophobic an...
This article explores the under-researched intertextual and intermedial connections between Leonora ...
Latin American literature has often reminded us that there are fates far worse than death. In fact, ...
Teresa Margolles (b. 1963) is Mexico's foremost proponent of corpse art. Her work meditates upon her...
The “Artists in Exile” surrealist group portrait of 1942 arguably marks a moment of recognition and ...
Examining the ways in which female artists adapted the Surrealist concept of liberty to the twentiet...
abstract: Comparison of the literary and artistic uses and images of pre-Columbian Mexican and Maya ...
This paper raises the interest in the early works of the surrealist artist, still relatively unknown...
In this essay I have woven together the outstandingly magical and memorable events that introduced m...
Part One deals with Carrington's association with the Surrealist movement and looks at her texts as ...
This essay argues that the objects in Leonora Carrington’s kitchen, as represented in her writing an...
In 1940, the surrealist artist and writer Leonora Carrington (1917–2011) was incarcerated in a Spani...
In 1940, the surrealist artist and writer Leonora Carrington (1917–2011) was incarcerated in a Spani...
This chapter explores long-term research on Leonora Carrington and contemporary art. A magpie for su...
This essay takes as its theme the fascination with the forensics of death as a focus of interest for...
During the 1920s, war, political flux, and social revolution ravaged Western Europe as xenophobic an...
This article explores the under-researched intertextual and intermedial connections between Leonora ...
Latin American literature has often reminded us that there are fates far worse than death. In fact, ...
Teresa Margolles (b. 1963) is Mexico's foremost proponent of corpse art. Her work meditates upon her...
The “Artists in Exile” surrealist group portrait of 1942 arguably marks a moment of recognition and ...
Examining the ways in which female artists adapted the Surrealist concept of liberty to the twentiet...
abstract: Comparison of the literary and artistic uses and images of pre-Columbian Mexican and Maya ...
This paper raises the interest in the early works of the surrealist artist, still relatively unknown...
In this essay I have woven together the outstandingly magical and memorable events that introduced m...