This paper explores the collection of artefacts from British excavations in Egypt and their dispersal to institutions across the world between 1880 and 1915. The scope, scale and complexity of these distributions is reviewed with a view to highlighting the complex, symbiotic relationship between British organizations that mounted such excavations on the one hand and museums on the other, and also to providing a basis from which to argue that both field and museum collecting practices were enmeshed within the same processes of ‘artefaction’. These shared processes together created a new form of museum object, here referred to as the ‘excavated artefact’. It is further suggested that the collection of artefacts for museums was one of the prim...
The growth of British Egyptology between 1822 and 1882 was a direct extension of informal colonial c...
The Petrie Museum of Egyptian Archaeology first opened its doors in 1915, and since then has attracte...
When the British Museum opened its doors more than two centuries ago, scores of visitors waited eage...
This article draws upon the ‘Artefacts of Excavation’ (2014–17) project, which is investigating the ...
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery...
From the late nineteenth century, photography was inseparable from archaeological fieldwork, and obj...
Between 1884 and 1939 the Egypt Exploration Fund (later Society) and the British School of Archaeolo...
This Master of Arts thesis presents the results of research undertaken on two collections of Egyptia...
This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multip...
This research project addresses the Research Potential and Significance of Egyptian Material within ...
In his inaugural lecture given at the University of Oxford’s Ashmolean Museum on 8 May 1901, Francis...
Issue 27 comprises two articles focusing on the collection of ancient Egyptian artefacts at the Brit...
This dissertation provides a new account of the origins of archaeological fieldwork in the Nile Delt...
This paper proposes that Egyptian museology and archaeology have been primarily shaped and influenc...
The collecting of “erotic” artifacts in 19th century Egyptology reveals the ways in which museums co...
The growth of British Egyptology between 1822 and 1882 was a direct extension of informal colonial c...
The Petrie Museum of Egyptian Archaeology first opened its doors in 1915, and since then has attracte...
When the British Museum opened its doors more than two centuries ago, scores of visitors waited eage...
This article draws upon the ‘Artefacts of Excavation’ (2014–17) project, which is investigating the ...
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery...
From the late nineteenth century, photography was inseparable from archaeological fieldwork, and obj...
Between 1884 and 1939 the Egypt Exploration Fund (later Society) and the British School of Archaeolo...
This Master of Arts thesis presents the results of research undertaken on two collections of Egyptia...
This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multip...
This research project addresses the Research Potential and Significance of Egyptian Material within ...
In his inaugural lecture given at the University of Oxford’s Ashmolean Museum on 8 May 1901, Francis...
Issue 27 comprises two articles focusing on the collection of ancient Egyptian artefacts at the Brit...
This dissertation provides a new account of the origins of archaeological fieldwork in the Nile Delt...
This paper proposes that Egyptian museology and archaeology have been primarily shaped and influenc...
The collecting of “erotic” artifacts in 19th century Egyptology reveals the ways in which museums co...
The growth of British Egyptology between 1822 and 1882 was a direct extension of informal colonial c...
The Petrie Museum of Egyptian Archaeology first opened its doors in 1915, and since then has attracte...
When the British Museum opened its doors more than two centuries ago, scores of visitors waited eage...