Several collections of brilliant objects were put on display following the opening of the British Museum (Natural History) in South Kensington in 1881. These objects resemble jewels both in their exquisite lustre and in their hybrid status between nature and culture, science and art. This thesis asks how these jewel-like hybrids – including shiny preserved beetles, iridescent taxidermised hummingbirds, translucent glass jellyfish as well as crystals and minerals themselves – functioned outside of normative gender expectations of Victorian museums and scientific culture. Such displays’ dazzling spectacles refract the linear expectations of earlier natural history taxonomies and confound the narrative of evolutionary habitat dioramas. As such...
abstract: Natural history is, and was, dependent upon the collection of specimens. In the nineteenth...
This thesis explores the role played by observation and analogy in Romantic natural history. In part...
This paper explains how and why many American museums of science and nature moved away from the trad...
A feminist critique of the natural history galleries at the Manchester Museum revealed androcentric ...
This article examines women collectors of natural history during the period 1880-1914, their natural...
One of the primary functions of museums is the deployment of knowledge through collected artifacts. ...
This article attempts to shed light on the complex interdependencies between science, art and popula...
This research project concerns itself with the human desire for control, order and perfection throug...
Quantitative measures of relative representations of gender and minoritised persons provide stark ev...
Victorian natural history museums (NHMs) incorporated sophisticated theories of literate culture thr...
Following the Darwinian approach, which describes a form in nature as the functional adaptation to i...
A Natural History is an installation that creates the atmosphere of a miniature museum and has as it...
Indiana University-Purdue University Indianapolis (IUPUI)This thesis reevaluates the role that women...
This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fo...
Natural history exhibitions have changed considerably over recent decades concurring with a rise of ...
abstract: Natural history is, and was, dependent upon the collection of specimens. In the nineteenth...
This thesis explores the role played by observation and analogy in Romantic natural history. In part...
This paper explains how and why many American museums of science and nature moved away from the trad...
A feminist critique of the natural history galleries at the Manchester Museum revealed androcentric ...
This article examines women collectors of natural history during the period 1880-1914, their natural...
One of the primary functions of museums is the deployment of knowledge through collected artifacts. ...
This article attempts to shed light on the complex interdependencies between science, art and popula...
This research project concerns itself with the human desire for control, order and perfection throug...
Quantitative measures of relative representations of gender and minoritised persons provide stark ev...
Victorian natural history museums (NHMs) incorporated sophisticated theories of literate culture thr...
Following the Darwinian approach, which describes a form in nature as the functional adaptation to i...
A Natural History is an installation that creates the atmosphere of a miniature museum and has as it...
Indiana University-Purdue University Indianapolis (IUPUI)This thesis reevaluates the role that women...
This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fo...
Natural history exhibitions have changed considerably over recent decades concurring with a rise of ...
abstract: Natural history is, and was, dependent upon the collection of specimens. In the nineteenth...
This thesis explores the role played by observation and analogy in Romantic natural history. In part...
This paper explains how and why many American museums of science and nature moved away from the trad...