This article is concerned with the first stasimon of Euripides' Hippolytos, which takes the form of a hymn to Eros. Among the aspects dealt with are: a) the structure of the choral ode (also in relation with the aretalogical hymns in S. Ant. 781-800 e Tr. 497-530); b) its dramatic function within the play, and connections with the hymn to Artemis in the prologue (vv. 61-72) and the hymn to Aphrodites and Eros in the last choral song (vv. 1268-81); c) erotic topoi borrowed from lyric poetry, often modified to fit the tragic context; d) analysis of the mythological examples of Iole and Semele in the second strophic pair
Chorus’ conduct in the third stasimon of Euripides’Ion is here analysed to show how religious elemen...
This volume locates ancient tragic drama within a larger map of Greek lyric activity, stressing that...
This contribution explores the function of the choral voice and the mechanisms of choreia in Euripid...
This article is concerned with the first stasimon of Euripides' Hippolytos, which takes the form of ...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-son...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
The paper discusses the ekphrasis of Achilles' shield in the first stasimon of the Electra of Euripi...
In the third stasimon of Euripides’Electra (vv. 859-879) text (word and image) and metre (dactylo-ep...
This article analyses the structure, metre and performance of the choral songs in Euripides'Medea. I...
This article uses evidence drawn from hymenaios and wedding ritual to reach a new interpretation of ...
This paper deals with the problematic choral odes of Seneca's Phaedra - where scarce and contradicto...
Women Washing Clothes : Homeric Image in Euripides'1 Hippolytus The article deals with structure an...
The origin of lyrical compositions in Classical Greek Literature is often explained by using as init...
Chorus’ conduct in the third stasimon of Euripides’Ion is here analysed to show how religious elemen...
This volume locates ancient tragic drama within a larger map of Greek lyric activity, stressing that...
This contribution explores the function of the choral voice and the mechanisms of choreia in Euripid...
This article is concerned with the first stasimon of Euripides' Hippolytos, which takes the form of ...
The focus of this paper is on three different aspects of the first stasimon of Trojan Women. While t...
The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-son...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
Euripides’ narrative choral odes continue to puzzle the critics. The first stasimon of Euripides’ El...
The paper discusses the ekphrasis of Achilles' shield in the first stasimon of the Electra of Euripi...
In the third stasimon of Euripides’Electra (vv. 859-879) text (word and image) and metre (dactylo-ep...
This article analyses the structure, metre and performance of the choral songs in Euripides'Medea. I...
This article uses evidence drawn from hymenaios and wedding ritual to reach a new interpretation of ...
This paper deals with the problematic choral odes of Seneca's Phaedra - where scarce and contradicto...
Women Washing Clothes : Homeric Image in Euripides'1 Hippolytus The article deals with structure an...
The origin of lyrical compositions in Classical Greek Literature is often explained by using as init...
Chorus’ conduct in the third stasimon of Euripides’Ion is here analysed to show how religious elemen...
This volume locates ancient tragic drama within a larger map of Greek lyric activity, stressing that...
This contribution explores the function of the choral voice and the mechanisms of choreia in Euripid...