This dissertation examines the Art Gallery of South Australia’s patterns of collecting modern and contemporary British art since the outbreak of the Second World War. It analyses the relative influence on these collecting patterns of Australia’s transition from a mono-cultural British dominion to a post-imperial multicultural nation positioned in the Asia/Pacific region, in comparison to the influence of institutional and art world changes. It evaluates the resulting strengths and weaknesses of the collection and assesses post-imperial museological issues pertaining to collection management.Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 201
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain ...
The momentous signing of the Treaty of Kanagawa in 1854 marked the turning point to end Japan’s long...
The purpose of this Ph.D. thesis on émigré art historians in Britain is not only to show how alien t...
This book explores, for the first time, the engagement of the five 'national' art galleries of the d...
This dissertation considers the processes of removal and return of the cultural objects of occupied ...
Australia’s relationship with the rest of the world was particularly complex in the two decades of a...
© 2004 Dr. Sarah Russell ScottBetween 1953 and 1964 a series of major Australian art commissions and...
This thesis examines the historical development of the artist print collections of the Imperial...
This study examines the art practices and management of the National Art Galleries of Australia and ...
A survey of, and reflections on, the growth of art museums in Australia based on personal experience...
This thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness...
© 2015 Dr. Suzanne FraserScottish art was consistently collected and displayed in Australia from the...
This thesis explores the collecting and exhibiting of colonial art (before 1908) by New Zealand's st...
Images, Institutions, and Evolving Nation: Transformations in Australian art, museums, and cultural...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain ...
The momentous signing of the Treaty of Kanagawa in 1854 marked the turning point to end Japan’s long...
The purpose of this Ph.D. thesis on émigré art historians in Britain is not only to show how alien t...
This book explores, for the first time, the engagement of the five 'national' art galleries of the d...
This dissertation considers the processes of removal and return of the cultural objects of occupied ...
Australia’s relationship with the rest of the world was particularly complex in the two decades of a...
© 2004 Dr. Sarah Russell ScottBetween 1953 and 1964 a series of major Australian art commissions and...
This thesis examines the historical development of the artist print collections of the Imperial...
This study examines the art practices and management of the National Art Galleries of Australia and ...
A survey of, and reflections on, the growth of art museums in Australia based on personal experience...
This thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness...
© 2015 Dr. Suzanne FraserScottish art was consistently collected and displayed in Australia from the...
This thesis explores the collecting and exhibiting of colonial art (before 1908) by New Zealand's st...
Images, Institutions, and Evolving Nation: Transformations in Australian art, museums, and cultural...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain ...
The momentous signing of the Treaty of Kanagawa in 1854 marked the turning point to end Japan’s long...
The purpose of this Ph.D. thesis on émigré art historians in Britain is not only to show how alien t...