This submission presents the four works composed during the research period. The exegesis outlines the aesthetic and technical journey undertaken, and examines the aesthetic and technical challenges encountered during that journey. The artistic implications of melding Western and non-Western cultures, together with the meeting of conventional compositional praxis and technological innovations, are evaluated for their impact on the resultant portfolio of compositions. To that end, each of the four works, in addition to one offered as a point of reference, are analysed for traces of this North-South, East-West dynamic, and its future creative potential for the candidate, and composition in general.Thesis (Ph.D.) -- University of Adelaide, Eld...
I believe that the cultural origins of composers are unconsciously reflected in the compositional pr...
The following commentary introduces six pieces written between 2012 and 2015, during the period of m...
This submission for the degree of PhD at the Elder Conservatorium of Music, University of Adelaide, ...
This portfolio submission for the degree of Doctor of Philosophy, undertaken at the Elder Conservato...
This Ph.D. research explores the blending Chinese and western musical idioms. Research questions inc...
This submission comprises a portfolio of fifteen original musical works and an exegesis that comment...
This submission for the degree of Doctor of Philosophy at the Elder Conservatorium of Music, Univers...
This thesis argues that there is a methodology, or series of methodologies that make it possible to ...
The creation of music cross-culturally is a rich, cutting-egde field in contemporary music studies....
This submission consists of three volumes; Volumes I and II are a portfolio of three original compos...
The portfolio is a creative response to the question of how autochthonous new music might be compose...
This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight...
The purpose of the exegesis is to explain the space-time sensibility and an inner listening process ...
The portfolio of compositions (part one) offers a selection of the composer’s most significant contr...
The music written for this portfolio offers creative answers to some of the challenges facing contem...
I believe that the cultural origins of composers are unconsciously reflected in the compositional pr...
The following commentary introduces six pieces written between 2012 and 2015, during the period of m...
This submission for the degree of PhD at the Elder Conservatorium of Music, University of Adelaide, ...
This portfolio submission for the degree of Doctor of Philosophy, undertaken at the Elder Conservato...
This Ph.D. research explores the blending Chinese and western musical idioms. Research questions inc...
This submission comprises a portfolio of fifteen original musical works and an exegesis that comment...
This submission for the degree of Doctor of Philosophy at the Elder Conservatorium of Music, Univers...
This thesis argues that there is a methodology, or series of methodologies that make it possible to ...
The creation of music cross-culturally is a rich, cutting-egde field in contemporary music studies....
This submission consists of three volumes; Volumes I and II are a portfolio of three original compos...
The portfolio is a creative response to the question of how autochthonous new music might be compose...
This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight...
The purpose of the exegesis is to explain the space-time sensibility and an inner listening process ...
The portfolio of compositions (part one) offers a selection of the composer’s most significant contr...
The music written for this portfolio offers creative answers to some of the challenges facing contem...
I believe that the cultural origins of composers are unconsciously reflected in the compositional pr...
The following commentary introduces six pieces written between 2012 and 2015, during the period of m...
This submission for the degree of PhD at the Elder Conservatorium of Music, University of Adelaide, ...