Certain gods in Euripides’ Hippolytos and Herakles exhibit a high level of control over mortals. Each play has one primary god whose statements of will, identity, and offense control the actions of other characters. Each play features a distinct god/human dialectic, in which certain actions performed by mortals threaten or affirm divine identity, as defined by the primary god or her surrogates. Secondary gods react to the primary god’s will and in so doing help assert/re-assert the primary god’s identity, as does mortal suffering. I apply Austin’s concept of perlocution, an utterance’s action or effect, to define divine motivation and control. In both plays, the primary god’s statements of will and identity have perlocutionary force in the ...
Scott Shauf compares the portrayal of the divine in Acts with portrayals of the divine in other anci...
This papers reconsiders Bellerophon’s characterization in Euripides’ fragmentary Bellerophon. It is ...
Against a background of anxious evocation of Dionysiac rites, Euripides’ Heracles stages the extreme...
Certain gods in Euripides, Hippolytos and Herakles exhibit a high level of control over mortals. Eac...
The Euripidean tragedies Hippolytus, The Bacchae and The Medea present us with female characters who...
The themes of the ancient tragedy were drawn from the rich legacy of Greek mythology and concerned t...
Abstract: The myth of Sophocles’s Oedipus Rex is revolved on the three interactive perspectives of f...
none1noAeschylean characters have always to face a situation that leads them to an aporia between di...
This article discusses aspects of the representation of gods in the tragedies of the ancient Athenia...
Greek myths have influenced many civilizations in the areas of literature and art. Greek mythology d...
Greek tragedy and Greek medicine both treat forms of human suffering. This dissertation investigates...
In this paper I argue that Medea, Jesus, and his Apostles all exist as either geographic or ideologi...
Euripides’ Heracles has drawn the attention of numerous scholars, since Willamowitz’s excellent com...
In this chapter I draw out three aspects of Euripides’ ‘human voice’ which offer good evidence to su...
This paper argues that Aesopic fables are an under-used but valuable resource for the study of Graec...
Scott Shauf compares the portrayal of the divine in Acts with portrayals of the divine in other anci...
This papers reconsiders Bellerophon’s characterization in Euripides’ fragmentary Bellerophon. It is ...
Against a background of anxious evocation of Dionysiac rites, Euripides’ Heracles stages the extreme...
Certain gods in Euripides, Hippolytos and Herakles exhibit a high level of control over mortals. Eac...
The Euripidean tragedies Hippolytus, The Bacchae and The Medea present us with female characters who...
The themes of the ancient tragedy were drawn from the rich legacy of Greek mythology and concerned t...
Abstract: The myth of Sophocles’s Oedipus Rex is revolved on the three interactive perspectives of f...
none1noAeschylean characters have always to face a situation that leads them to an aporia between di...
This article discusses aspects of the representation of gods in the tragedies of the ancient Athenia...
Greek myths have influenced many civilizations in the areas of literature and art. Greek mythology d...
Greek tragedy and Greek medicine both treat forms of human suffering. This dissertation investigates...
In this paper I argue that Medea, Jesus, and his Apostles all exist as either geographic or ideologi...
Euripides’ Heracles has drawn the attention of numerous scholars, since Willamowitz’s excellent com...
In this chapter I draw out three aspects of Euripides’ ‘human voice’ which offer good evidence to su...
This paper argues that Aesopic fables are an under-used but valuable resource for the study of Graec...
Scott Shauf compares the portrayal of the divine in Acts with portrayals of the divine in other anci...
This papers reconsiders Bellerophon’s characterization in Euripides’ fragmentary Bellerophon. It is ...
Against a background of anxious evocation of Dionysiac rites, Euripides’ Heracles stages the extreme...