Over the past few years I have been engaged in writing a cultural history of photography, to be published by Routledge. You may wonder why such a history is needed, when there are excellent books on the subject already. Here, I set out the difference between my approach and existing ones, in particular my emphasis on media,mobility and transience, and some of the ways in which I am exploring this through archival research
The text deals with documentary photography as an autonomous practice. The starting axiom for any fu...
The study of amateur photography presents a distinctive methodological challenge to photographic stu...
Book synopsis: This is the first volume to explore the place of photography in archaeology: the para...
We live in a time in which photographs have become extraordinarily mobile. By being digitally networ...
As we settle further into the era of digital media and globalized visual culture, it might be tempti...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
This project examines the limitations imposed by photography as an apparatus for enabling memory and...
AbstractIn the timeline where histories of art and photography intersect, Preziosi, with his stateme...
Reprint of a chapter from Warworks: 1994 and a section from Look at me: 1998: Fashion Was the Least...
By considering the camera as a node connected to a network through which information is transmitted ...
Photography is commonly understood as a static medium that “freezes” the moment. This characterisati...
This article discusses the benefits of analysing photography as mediated, repro-duced and entangled ...
My practice-based PhD investigates how the gathering of visual information through the photographic ...
This special presentation featured the iSchool\u27s own Dr. Leigh Gleason and addressed the increas...
This research was conducted by using textual, qualitative approach while looking closer at the signi...
The text deals with documentary photography as an autonomous practice. The starting axiom for any fu...
The study of amateur photography presents a distinctive methodological challenge to photographic stu...
Book synopsis: This is the first volume to explore the place of photography in archaeology: the para...
We live in a time in which photographs have become extraordinarily mobile. By being digitally networ...
As we settle further into the era of digital media and globalized visual culture, it might be tempti...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
This project examines the limitations imposed by photography as an apparatus for enabling memory and...
AbstractIn the timeline where histories of art and photography intersect, Preziosi, with his stateme...
Reprint of a chapter from Warworks: 1994 and a section from Look at me: 1998: Fashion Was the Least...
By considering the camera as a node connected to a network through which information is transmitted ...
Photography is commonly understood as a static medium that “freezes” the moment. This characterisati...
This article discusses the benefits of analysing photography as mediated, repro-duced and entangled ...
My practice-based PhD investigates how the gathering of visual information through the photographic ...
This special presentation featured the iSchool\u27s own Dr. Leigh Gleason and addressed the increas...
This research was conducted by using textual, qualitative approach while looking closer at the signi...
The text deals with documentary photography as an autonomous practice. The starting axiom for any fu...
The study of amateur photography presents a distinctive methodological challenge to photographic stu...
Book synopsis: This is the first volume to explore the place of photography in archaeology: the para...