This portfolio explores a combination of acoustic performance with technology in various guises, including the use of backing tracks alongside an ensemble, the manipulation of live instruments with effects and the use of synthesizers and samplers along with an instrumental ensemble. A key feature that runs through the portfolio is the use of specific non-musical subject themes as inspiration for the music. These include the murders of five prostitutes in Ipswich in 2006 by Steve Wright, a speech by David Davis on people trafficking from 2005, the Mumbai hostage situation and bombings of 2007, drug culture and the sounds of London. A large proportion of the pieces that make up this portfolio have contributed to a fusion album entitled...
The Killers is the world premiere of a live site-specific binaural sound work commissioned by MAYK f...
The seven compositions that comprise this dissertation are represented by the following files: text ...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
This portfolio explores a combination of acoustic performance with technology in various guises, inc...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
This research programme was a practice-led investigation into the interrelationship between composit...
Within this portfolio are three pieces which explore the use of video, improvisation and noise in th...
This research explores the compositional relationships between acousmatic music and electronica in o...
This portfolio explores stylistic and procedural cross-fertilisation between contemporary art music ...
The works in this portfolio of original compositions cover a wide spectrum of genres, styles, approa...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
The focus of this DCA thesis is the development of original creative audio and audio-visual work. Ce...
The subject of this collaboration between Dr. Jon Aveyard and Dan Wilkinson is the relationship betw...
This portfolio comprises eight compositions which have been written within the scope of recent life-...
This PhD in music composition explores a compositional approach referred to as \u27Transfunctionalit...
The Killers is the world premiere of a live site-specific binaural sound work commissioned by MAYK f...
The seven compositions that comprise this dissertation are represented by the following files: text ...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
This portfolio explores a combination of acoustic performance with technology in various guises, inc...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
This research programme was a practice-led investigation into the interrelationship between composit...
Within this portfolio are three pieces which explore the use of video, improvisation and noise in th...
This research explores the compositional relationships between acousmatic music and electronica in o...
This portfolio explores stylistic and procedural cross-fertilisation between contemporary art music ...
The works in this portfolio of original compositions cover a wide spectrum of genres, styles, approa...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
The focus of this DCA thesis is the development of original creative audio and audio-visual work. Ce...
The subject of this collaboration between Dr. Jon Aveyard and Dan Wilkinson is the relationship betw...
This portfolio comprises eight compositions which have been written within the scope of recent life-...
This PhD in music composition explores a compositional approach referred to as \u27Transfunctionalit...
The Killers is the world premiere of a live site-specific binaural sound work commissioned by MAYK f...
The seven compositions that comprise this dissertation are represented by the following files: text ...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...