This portfolio explores a combination of acoustic performance with technology in various guises, including the use of backing tracks alongside an ensemble, the manipulation of live instruments with effects and the use of synthesizers and samplers along with an instrumental ensemble. A key feature that runs through the portfolio is the use of specific non-musical subject themes as inspiration for the music. These include the murders of five prostitutes in Ipswich in 2006 by Steve Wright, a speech by David Davis on people trafficking from 2005, the Mumbai hostage situation and bombings of 2007, drug culture and the sounds of London. A large proportion of the pieces that make up this portfolio have contributed to a fusion album entitled...
This research project includes a portfolio of compositions and a contextual document, the subject of...
Rationale There has been little chance for researchers, performers and designers in the UK to come ...
This portfolio consists of electroacoustic compositions which were primarily realised through the u...
This portfolio explores a combination of acoustic performance with technology in various guises, inc...
Within this portfolio are three pieces which explore the use of video, improvisation and noise in th...
Wide and disjointed, blending a fractured pulse with dynamic texture, this is an immersive and disor...
A portfolio of electronic music compositions employing adaptable controllers, graphic notation, and...
Live processing is altering and affecting the sounds of instruments, live without the aid of fixed m...
The work here presented is a reaction to a number of issues within contemporary turntablism. Firstly...
This paper will explore questions of agency, control and interaction and the embodied nature of musi...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
This paper will explore questions of agency, control and interaction and the embodied nature of musi...
Stephen Preston is developing ecosonics to explore biological aspects of primitive music making as s...
This piece is an exploration of potential meeting points, and frictions, between the acousmatic trad...
4 cutting edge pieces will be presented, all using network technology as the core for producing soun...
This research project includes a portfolio of compositions and a contextual document, the subject of...
Rationale There has been little chance for researchers, performers and designers in the UK to come ...
This portfolio consists of electroacoustic compositions which were primarily realised through the u...
This portfolio explores a combination of acoustic performance with technology in various guises, inc...
Within this portfolio are three pieces which explore the use of video, improvisation and noise in th...
Wide and disjointed, blending a fractured pulse with dynamic texture, this is an immersive and disor...
A portfolio of electronic music compositions employing adaptable controllers, graphic notation, and...
Live processing is altering and affecting the sounds of instruments, live without the aid of fixed m...
The work here presented is a reaction to a number of issues within contemporary turntablism. Firstly...
This paper will explore questions of agency, control and interaction and the embodied nature of musi...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
This paper will explore questions of agency, control and interaction and the embodied nature of musi...
Stephen Preston is developing ecosonics to explore biological aspects of primitive music making as s...
This piece is an exploration of potential meeting points, and frictions, between the acousmatic trad...
4 cutting edge pieces will be presented, all using network technology as the core for producing soun...
This research project includes a portfolio of compositions and a contextual document, the subject of...
Rationale There has been little chance for researchers, performers and designers in the UK to come ...
This portfolio consists of electroacoustic compositions which were primarily realised through the u...