In this paper I argue for a syncretistic theory of depiction, which combines the merits of the main paradigms which have hitherto faced themselves on this issue, namely the perceptualist and semioticist approaches. The syncretistic theory indeed takes from the former its stress on experiential factors and from the latter its stress on conventional factors. But the theory is even more syncretistic than this, for the way it accounts for the experiential factor vindicates several claims defended by different perceptualist theories. In a nutshell, according to the syncretistic theory a picture depicts its subject iff i) it is transformed into an entity-cum-meaning and ii) one has the twofold experience of seeing that subject in the picture qua ...
According to the standard view of pictorial reference, a picture produces singular thought in virtue...
When Wittgenstein claims that “the expression of a change of aspect is the expression of a new perce...
J. J. Gibson's new theory of picture perception is described, and a program of research within ...
In this paper I argue for a syncretistic theory of depiction, which combines the merits of the main ...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
In this paper, I will examine Richard Wollheim's seeing-in theory of picture representation, and par...
The pictorial theory of mental imagery was a central concern of cognitive science during the latter ...
Recent debates between representational and relational theories of perceptual experience sometimes f...
UID/FIL/00183/2013In a well-known course he gave in 1904-1905, Edmund Husserl developeda ‘threefold’...
Abstract: Recent debates between representational and relational theories of perceptual experience s...
I defend a cognitive theory of pictures, according to which the central paradigm of our concept of a...
This paper replies to objections from perceptual distortion against the representationalist thesis t...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
The claim of cognitive semiotics to offer something new to semiotics rests on the ambition to bring ...
In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image ...
According to the standard view of pictorial reference, a picture produces singular thought in virtue...
When Wittgenstein claims that “the expression of a change of aspect is the expression of a new perce...
J. J. Gibson's new theory of picture perception is described, and a program of research within ...
In this paper I argue for a syncretistic theory of depiction, which combines the merits of the main ...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
In this paper, I will examine Richard Wollheim's seeing-in theory of picture representation, and par...
The pictorial theory of mental imagery was a central concern of cognitive science during the latter ...
Recent debates between representational and relational theories of perceptual experience sometimes f...
UID/FIL/00183/2013In a well-known course he gave in 1904-1905, Edmund Husserl developeda ‘threefold’...
Abstract: Recent debates between representational and relational theories of perceptual experience s...
I defend a cognitive theory of pictures, according to which the central paradigm of our concept of a...
This paper replies to objections from perceptual distortion against the representationalist thesis t...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
The claim of cognitive semiotics to offer something new to semiotics rests on the ambition to bring ...
In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image ...
According to the standard view of pictorial reference, a picture produces singular thought in virtue...
When Wittgenstein claims that “the expression of a change of aspect is the expression of a new perce...
J. J. Gibson's new theory of picture perception is described, and a program of research within ...