I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and expressive acts cannot themselves be the artist's expression, but instead they serve to signify or indicate those acts. Thus there is a kind of indicative content associated with a picture that is distinct from its subject matter (or 'representational content'). I also argue that this kind of indicative content is closely associated with the specific artistic medium chosen by the artist as her expressive medium, for which reason I call this kind of content medium content (or medium-related content)
The problem presented in this thesis concerns the prevailing neglect by critics and art historians o...
In this essay I develop a topic addressed in my book, Film Art Phenomena: the question of medium spe...
The world around us is filled with materials. Our ability of visual material perception informs us h...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
The aim of this investigation is to consider the extent to which the processes and material stuff of...
Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the id...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
Since artistic production is evidently an act of ‘formation' in some sense or other, the problem of ...
In this paper I will try to trace a discussion about status of art in some recent theories, which pa...
Through the development of a series of object/paintings (Paintjects), this thesis examines processes...
The perception of art is a complex and multi-layered phenomenon. One obvious aspect in perceiving an...
'What is the desire of the medium?' is both a rhetorical question and a fundamental one. The rhetori...
I will discuss six art works that have a range of characteristics, but can all be unified through th...
The problem presented in this thesis concerns the prevailing neglect by critics and art historians o...
In this essay I develop a topic addressed in my book, Film Art Phenomena: the question of medium spe...
The world around us is filled with materials. Our ability of visual material perception informs us h...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and ex...
The aim of this investigation is to consider the extent to which the processes and material stuff of...
Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the id...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The classical theory of the value of pictorial representation used to be expressed – from the perspe...
Since artistic production is evidently an act of ‘formation' in some sense or other, the problem of ...
In this paper I will try to trace a discussion about status of art in some recent theories, which pa...
Through the development of a series of object/paintings (Paintjects), this thesis examines processes...
The perception of art is a complex and multi-layered phenomenon. One obvious aspect in perceiving an...
'What is the desire of the medium?' is both a rhetorical question and a fundamental one. The rhetori...
I will discuss six art works that have a range of characteristics, but can all be unified through th...
The problem presented in this thesis concerns the prevailing neglect by critics and art historians o...
In this essay I develop a topic addressed in my book, Film Art Phenomena: the question of medium spe...
The world around us is filled with materials. Our ability of visual material perception informs us h...