Early modern thought found in emotion a key to explaining human behaviour, highlighting the powerful way in which it can influence and disturb human life. Shakespeare’s and Cervantes’s treatment of emotion includes a full acknowledgement of its mental and bodily aspects and functions. But emotion rarely comes in a pure state. Character and emotion interact and their responses are often contradictory. Since emotions are sentiments that we feel and actions that we perform, it is worth inquiring into how, in Cervantes and Shakespeare, emotion affects their characters in different ways
The ‘unnatural’ mixed emotions of Chimène, heroine of Pierre Corneille’s Le Cid (1636), almost destr...
Only recently has the history of emotions emerged as a field of investigation, and within that field...
Growing out of recent scholarship on humoral theory and emotions in early modern literary texts, thi...
© Manchester University Press 2015. All right reserved. This collection of essays offers a major rea...
Source et informations pratiques: University of Hull An International and Interdisciplinary Conferen...
“Unmoved Emotions in Shakespeare and Milton” challenges the longstanding understanding of the relati...
This article explores examples of emotion and perception in a number of Shakespearean dramas. It dis...
Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion an...
Source : Manchester University Press The Renaissance of emotion. Understanding affect in Shakespeare...
In theatrical pieces, written language is the primary medium for establishing antagonisms. As one of...
Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stanc...
Source : Digital Shakespeares Shakespeare and European Communities of Emotion Dr Erin Sullivan, Shak...
This essay examines early modern conceptions and representations of the passions in relation to iss...
For Miguel de Cervantes, emotions are an integral and inevitable component of the early modern Medit...
Recapturing what early modern spectators thought and felt when attending the theatre has for some ye...
The ‘unnatural’ mixed emotions of Chimène, heroine of Pierre Corneille’s Le Cid (1636), almost destr...
Only recently has the history of emotions emerged as a field of investigation, and within that field...
Growing out of recent scholarship on humoral theory and emotions in early modern literary texts, thi...
© Manchester University Press 2015. All right reserved. This collection of essays offers a major rea...
Source et informations pratiques: University of Hull An International and Interdisciplinary Conferen...
“Unmoved Emotions in Shakespeare and Milton” challenges the longstanding understanding of the relati...
This article explores examples of emotion and perception in a number of Shakespearean dramas. It dis...
Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion an...
Source : Manchester University Press The Renaissance of emotion. Understanding affect in Shakespeare...
In theatrical pieces, written language is the primary medium for establishing antagonisms. As one of...
Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stanc...
Source : Digital Shakespeares Shakespeare and European Communities of Emotion Dr Erin Sullivan, Shak...
This essay examines early modern conceptions and representations of the passions in relation to iss...
For Miguel de Cervantes, emotions are an integral and inevitable component of the early modern Medit...
Recapturing what early modern spectators thought and felt when attending the theatre has for some ye...
The ‘unnatural’ mixed emotions of Chimène, heroine of Pierre Corneille’s Le Cid (1636), almost destr...
Only recently has the history of emotions emerged as a field of investigation, and within that field...
Growing out of recent scholarship on humoral theory and emotions in early modern literary texts, thi...