This beautiful volume of soundscape compositions, images and words from Philip Samartzis is an invitation to share in a remarkable journey of enquiry. Antarctica is a paradox of the sublime and prosaic: with its vast expanses of ice, snow and mountains - and traces of human habitation, from weathered huts to abandoned machinery. Samartzis travelled south with the Australian Antarctic Division on several occasions and his recordings of the unique sounds of Antarctica have been used to create soundscape compositions which are meticulously realised on three CDs of the music included in this book
You'd expect the frozen world to be silent. Far from it. Pascal Wyse records the extraordinary sound...
As the only continent on Earth with no indigenous population, Antarctica belongs to no one, but is v...
http://earthear.com/antarctica.htmlBritish Antarctic Survey, Arts Council Englan
This article explores the work of Australian sound artist Philip Samartzis, who documented the eco-a...
In January 2004 I journeyed to Antarctica as an Antarctica New Zealand Honorary Artist Fellow. My pr...
This is the first book whose subject is the music, sounds and silences of Antarctica. From 2011 unti...
In January 2004 I journeyed to Antarctica as an Antarctica New Zealand Honorary Artist Fellow. My pr...
This chapter examines compositions based on field recordings made in Antarctica by leading sound art...
Listening to the more-than-human world has been a source of musical creativity for centuries, but wh...
Initially, as Bill Manhire says in his latest book of essays, Antarctica had its origins as an aesth...
Antarcticness joins disciplines, communication approaches and ideas to explore meanings and depictio...
This article explores the history of Australia’s engagement with Antarctica through music, from the ...
In this review I will consider the effect of scientific and technological developments on the compo...
Antarctica is physically inaccessible for most, but it lives in the imaginations of many. In this ch...
Sounds affect how we feel about places in ways that areimmediate and profound. Whether we are outdoo...
You'd expect the frozen world to be silent. Far from it. Pascal Wyse records the extraordinary sound...
As the only continent on Earth with no indigenous population, Antarctica belongs to no one, but is v...
http://earthear.com/antarctica.htmlBritish Antarctic Survey, Arts Council Englan
This article explores the work of Australian sound artist Philip Samartzis, who documented the eco-a...
In January 2004 I journeyed to Antarctica as an Antarctica New Zealand Honorary Artist Fellow. My pr...
This is the first book whose subject is the music, sounds and silences of Antarctica. From 2011 unti...
In January 2004 I journeyed to Antarctica as an Antarctica New Zealand Honorary Artist Fellow. My pr...
This chapter examines compositions based on field recordings made in Antarctica by leading sound art...
Listening to the more-than-human world has been a source of musical creativity for centuries, but wh...
Initially, as Bill Manhire says in his latest book of essays, Antarctica had its origins as an aesth...
Antarcticness joins disciplines, communication approaches and ideas to explore meanings and depictio...
This article explores the history of Australia’s engagement with Antarctica through music, from the ...
In this review I will consider the effect of scientific and technological developments on the compo...
Antarctica is physically inaccessible for most, but it lives in the imaginations of many. In this ch...
Sounds affect how we feel about places in ways that areimmediate and profound. Whether we are outdoo...
You'd expect the frozen world to be silent. Far from it. Pascal Wyse records the extraordinary sound...
As the only continent on Earth with no indigenous population, Antarctica belongs to no one, but is v...
http://earthear.com/antarctica.htmlBritish Antarctic Survey, Arts Council Englan