Add to ORKGThe primary argument in this thesis is that the common assumption that an actor has emotion inside him- or herself which can be evoked and projected outwards is an outdated misconception. A proposition is made to replace this possessive acting model, which underpins the realist tradition and is based on the popularized aspects of Stanislavsky’s system for actor training, by a situational acting model. This new model is founded on the idea that emotion is something that actors “do”. Furthermore, a theory of this situational model is advanced where the actor is seen to perform emotion in an interplay with action in three different ways: in the world symbolically as an expression, of the world phenomenologically as in-sensing or out-sensing, a...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
This practice-as-research thesis documents a sustained period of research grounded in my experience ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This thesis examines the nature of performed emotion from the perspective of the actor trainer. The ...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
ABSTRACT Following Stanislavski who argues that emotions are wild animals that can only be lured, r...
Following Stanislavski who argues that emotions are wild animals that can only be lured, rather than...
This thesis examines the nature of performed emotion from the perspective of the actor trainer. The ...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
This dissertation applies current thinking in cognitive science to elements of the actor's process o...
Includes bibliographical references (pages 73-75)The present confusion and conflict in views of acti...
Utilising a survey conducted among actors in the USA and UK, this article examines and challenges th...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
This practice-as-research thesis documents a sustained period of research grounded in my experience ...
The primary argument in this thesis is that the common assumption that an actor has emotion inside h...
This thesis examines the nature of performed emotion from the perspective of the actor trainer. The ...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is...
ABSTRACT Following Stanislavski who argues that emotions are wild animals that can only be lured, r...
Following Stanislavski who argues that emotions are wild animals that can only be lured, rather than...
This thesis examines the nature of performed emotion from the perspective of the actor trainer. The ...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
This dissertation applies current thinking in cognitive science to elements of the actor's process o...
Includes bibliographical references (pages 73-75)The present confusion and conflict in views of acti...
Utilising a survey conducted among actors in the USA and UK, this article examines and challenges th...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
The work of stage actors has long been used as a simile for every day role playing, generating theor...
This practice-as-research thesis documents a sustained period of research grounded in my experience ...