Calvin Littlejohn: Portrait of a Community in Black and White came about through the confluence of two significant events around 1994: the enthusiastic reception surrounding the publication of a similarly themed title, Behold the People: R. C. Hickman\u27s Photographs of Black Dallas, 1949-1961; and Littlejohn\u27s family contacting the director of the Dolph Briscoe Center for American History at the University of Texas at Austin about possibly donating his prints and negatives there. These are significant because they point to the need for an archive to preserve and organize material of this scope-some 70,000 negatives and 55,000 prints made over the course of a more than fifty-year career-as well as the identification of an audience for t...
Review of: "People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879–1...
Review of: All Our Yesterdays: A Century of Family Life in an American Small Town. Robertson, James ...
One of the salient features of Great Plains Quarterly is its inclusion of an extensive array of illu...
Calvin Littlejohn: Portrait of a Community in Black and White came about through the confluence of t...
During the late nineteenth and early twentieth centuries photography grew in popularity and accessib...
Review of: The Black Image in the New Deal: The Politics of FSA Photography. Natanson, Nicholas
In the early 1970s, a massive body of photographs of Native Americans by Edward S. Curtis came to li...
Like the first, which has been enjoyed and valued by students of Kansas history for more than three ...
In 1886, Custer County photographer Solomon Butcher conceived a plan to create a photographic histor...
Robert W. Richmond has orchestrated a filiopietistic paean to the citizens of Kansas the hardy souls...
The work of the photographic section of the Farm Security Administration has not suffered for want o...
A photocopy of a Spokesman Review clipping about a photographic exhibit highlighting the photographs...
In 2008, Jim Parsons and David Bush, staff members of the Greater Houston Preservation Alliance, pub...
Review of: Sioux City: A Pictorial History. Sorensen, Scott and Chicoine, B. Paul
grantor: University of TorontoDocumentary photography of the Civil Rights movement is curr...
Review of: "People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879–1...
Review of: All Our Yesterdays: A Century of Family Life in an American Small Town. Robertson, James ...
One of the salient features of Great Plains Quarterly is its inclusion of an extensive array of illu...
Calvin Littlejohn: Portrait of a Community in Black and White came about through the confluence of t...
During the late nineteenth and early twentieth centuries photography grew in popularity and accessib...
Review of: The Black Image in the New Deal: The Politics of FSA Photography. Natanson, Nicholas
In the early 1970s, a massive body of photographs of Native Americans by Edward S. Curtis came to li...
Like the first, which has been enjoyed and valued by students of Kansas history for more than three ...
In 1886, Custer County photographer Solomon Butcher conceived a plan to create a photographic histor...
Robert W. Richmond has orchestrated a filiopietistic paean to the citizens of Kansas the hardy souls...
The work of the photographic section of the Farm Security Administration has not suffered for want o...
A photocopy of a Spokesman Review clipping about a photographic exhibit highlighting the photographs...
In 2008, Jim Parsons and David Bush, staff members of the Greater Houston Preservation Alliance, pub...
Review of: Sioux City: A Pictorial History. Sorensen, Scott and Chicoine, B. Paul
grantor: University of TorontoDocumentary photography of the Civil Rights movement is curr...
Review of: "People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879–1...
Review of: All Our Yesterdays: A Century of Family Life in an American Small Town. Robertson, James ...
One of the salient features of Great Plains Quarterly is its inclusion of an extensive array of illu...