I began working as a literary textual editor in the summer of 1968, my second year of graduate school at Northwestern University. At that time Northwestern housed The Writings of Herman Melville and I was taken on board as a trainee. I will always remember the shining moment when I realized that I had mastered the Hinman Collator and that a great future awaited me because of it. I spent the next three years working there, and in the next decade got up to speed on my own. I served as a vettor for the Center for Editions of American Authors, which, incidentally, sealed over one hundred volumes between 1966 and 1976, which gives you an idea of how exciting things were at this time in the editorial field. Later, I began work on my own editions ...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...
I am honored to be speaking today in the city where, in 1908, the editor of the St.Louis Mirror proc...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
My title is somewhat facetious, but not completely. There has been a profound shift in the direction...
As textual or documentary editors, we perform a range of tasks that translate exceptionally well int...
Documentary editors have put technology to good use in the last twenty years. Technology has helped ...
This dissertation investigates the theory and practice of editing as it moves into the electronic er...
The nature of the editor\u27s task frequently forces her to acquire greater knowledge of book produc...
Waters's paper given November 8, 2008, at the Forum on Academic Publishing in the Humanities
This first convention of our associtation invites observations on the present state of documentary e...
Here\u27s the view from a professor of English at a technological university where the PhD is given ...
The ADE is at an important crossroads. Much has changed in the documentary editing profession in the...
As editors continue to transition from the production of scholarly print editions to electronic edit...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...
I am honored to be speaking today in the city where, in 1908, the editor of the St.Louis Mirror proc...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
My title is somewhat facetious, but not completely. There has been a profound shift in the direction...
As textual or documentary editors, we perform a range of tasks that translate exceptionally well int...
Documentary editors have put technology to good use in the last twenty years. Technology has helped ...
This dissertation investigates the theory and practice of editing as it moves into the electronic er...
The nature of the editor\u27s task frequently forces her to acquire greater knowledge of book produc...
Waters's paper given November 8, 2008, at the Forum on Academic Publishing in the Humanities
This first convention of our associtation invites observations on the present state of documentary e...
Here\u27s the view from a professor of English at a technological university where the PhD is given ...
The ADE is at an important crossroads. Much has changed in the documentary editing profession in the...
As editors continue to transition from the production of scholarly print editions to electronic edit...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
Spring and Summer 2008, Volume 30, Numbers 1 & 2 If You Have to Explain It, Is it Still Funny?, Be...
I am honored to be speaking today in the city where, in 1908, the editor of the St.Louis Mirror proc...