Here\u27s the view from a professor of English at a technological university where the PhD is given in engineering and sciences. Where the Humanities & Arts department is the second-largest department on campus, though we offer only the Bachelor\u27s degree. Where even our multidisciplinary department is split by culture wars. I am a proud alumnus of Camp Edit (Class of 1980). Although I do not work full-time at an editorial project, I hope that my experience is somewhat representative of what faces many documentary editors. [In fact, having seen drafts of my colleagues\u27 remarks, I think you\u27ll detect a similar angst afflicting us all.
The nature of the editor\u27s task frequently forces her to acquire greater knowledge of book produc...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
As textual or documentary editors, we perform a range of tasks that translate exceptionally well int...
I began working as a literary textual editor in the summer of 1968, my second year of graduate schoo...
Electronic publishing, the role of the editor, significance of publishing policies in the process of...
I teach, I write and above all, am a humanbeing. I taught undergraduate, post-graduate Writing, Lite...
My title is somewhat facetious, but not completely. There has been a profound shift in the direction...
This first convention of our associtation invites observations on the present state of documentary e...
Ever since the pre-meeting of this organization that I attended in Lawrence, Kansas, the association...
What is done during this time? Generally speaking project directors on documentary editions spend le...
All those engaged in the editing of literary and historical documents are deeply in debt to Dr. Tans...
As I mull the current issue – a wonderful collection of open submissions and a terrific supplement o...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
Editing books is a gratifying experience, albeit a humbling task. The conception of a volume, the re...
Which of these things is not like the other? SELECTION, VERIFICATION, ANNOTATION, SEX, ALCOHOL, INDE...
The nature of the editor\u27s task frequently forces her to acquire greater knowledge of book produc...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
As textual or documentary editors, we perform a range of tasks that translate exceptionally well int...
I began working as a literary textual editor in the summer of 1968, my second year of graduate schoo...
Electronic publishing, the role of the editor, significance of publishing policies in the process of...
I teach, I write and above all, am a humanbeing. I taught undergraduate, post-graduate Writing, Lite...
My title is somewhat facetious, but not completely. There has been a profound shift in the direction...
This first convention of our associtation invites observations on the present state of documentary e...
Ever since the pre-meeting of this organization that I attended in Lawrence, Kansas, the association...
What is done during this time? Generally speaking project directors on documentary editions spend le...
All those engaged in the editing of literary and historical documents are deeply in debt to Dr. Tans...
As I mull the current issue – a wonderful collection of open submissions and a terrific supplement o...
Twenty years ago, at the first annual meeting of the Association for Documentary Editing in Princeto...
Editing books is a gratifying experience, albeit a humbling task. The conception of a volume, the re...
Which of these things is not like the other? SELECTION, VERIFICATION, ANNOTATION, SEX, ALCOHOL, INDE...
The nature of the editor\u27s task frequently forces her to acquire greater knowledge of book produc...
The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challe...
As textual or documentary editors, we perform a range of tasks that translate exceptionally well int...