Add to ORKGRim and back geometry determine much of the behavior of sound inside the pot, whose effect on total, produced sound is subtle but discernible. The theory of sound inside a cylinder is reviewed and demonstrated. And previous work on the Helmholtz resonance and the interplay between the Helmholtz resonance and the lowest head mode is revisited using some improved techniques
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Rim and back geometry determine much of the behavior of sound inside the pot, whose effect on total,...
The interaction of a drum’s head with its enclosed air is presented in the simplest possible form ap...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
The volume of air that goes in and out of a musical instrument’s sound hole is related to the sound ...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
...in which a simple question turned into a great adventure and even got answered. (Of course, you m...
The internal resonator banjo, patented and first sold by Fred Bacon around 1906, remains something o...
Sound measurements on a sequence of related, similar constructions with slightly different dimensio...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
A complete theoretical overview of the acoustics of the kettledrum is taken. Starting with the well ...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Rim and back geometry determine much of the behavior of sound inside the pot, whose effect on total,...
The interaction of a drum’s head with its enclosed air is presented in the simplest possible form ap...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
The volume of air that goes in and out of a musical instrument’s sound hole is related to the sound ...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
...in which a simple question turned into a great adventure and even got answered. (Of course, you m...
The internal resonator banjo, patented and first sold by Fred Bacon around 1906, remains something o...
Sound measurements on a sequence of related, similar constructions with slightly different dimensio...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
A complete theoretical overview of the acoustics of the kettledrum is taken. Starting with the well ...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...