Add to ORKGProvenance brings together the work of three artists which interrogates the notion of authenticity and the provisional nature of meaning. Through a variety of print applications Nick Devison, Jo Love and Mark Shaw expose the shifting nature of perception in relation to found, invented and appropriated images
In his essay on imitation in the arts, Adam Smith considers that the exact copy of an artwork always...
Whether investigating individual photographs or a large repository of images, it is often critical t...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
"Provenance raises questions regarding the accountability of the artist after the work is complete, ...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
The provenance of a work of art, that is, the documentation of its ownership history, is a vital too...
This set of three colotypes was exhibited in the following exhibition: Afterlife An exhibition...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
09 mars 2020, 18h00 Institute of Historical Research at the School of Advanced Studies of the Univer...
About the book: This is the fourth volume published from the annual series of lectures organised ...
The relationship between art and archaeology is the main interest of this group of works, especially...
While art forgery has been a persistent issue since the Renaissance, a new technology now seems to h...
by Christine E. Brennan Provenance is defined as the place of origin or the earliest known history ...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
In his essay on imitation in the arts, Adam Smith considers that the exact copy of an artwork always...
Whether investigating individual photographs or a large repository of images, it is often critical t...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
"Provenance raises questions regarding the accountability of the artist after the work is complete, ...
This paper reports findings from a qualitative study of a group of artists in the North of England. ...
The provenance of a work of art, that is, the documentation of its ownership history, is a vital too...
This set of three colotypes was exhibited in the following exhibition: Afterlife An exhibition...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
09 mars 2020, 18h00 Institute of Historical Research at the School of Advanced Studies of the Univer...
About the book: This is the fourth volume published from the annual series of lectures organised ...
The relationship between art and archaeology is the main interest of this group of works, especially...
While art forgery has been a persistent issue since the Renaissance, a new technology now seems to h...
by Christine E. Brennan Provenance is defined as the place of origin or the earliest known history ...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
RE:PRINT edited by Véronique Chance and Duncan Ganley, brings together the work of twenty contempora...
In his essay on imitation in the arts, Adam Smith considers that the exact copy of an artwork always...
Whether investigating individual photographs or a large repository of images, it is often critical t...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...