The Japan Foundation Asia Centre's inter-cultural production of LEAR had its Australian premiere (and only performance in Australia) at the Festival of Perth in February, 1999..
This thesis examines and re-evaluates the contemporary performance of Shakespeare in Japan, taking t...
Do Marjorie Garber’s premises that Shakespeare makes modern culture and that modern culture makes Sh...
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film title...
This thesis explores the mechanism of cultural translations of Shakespeare’s plays, which have been ...
grantor: University of TorontoAs major theories and praxis of theatrical interculturalism...
This paper explores a landmark production in the history of Asian intercultural theatre, Singaporean...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
186 leaves ; 30 cm. Includes bibliographical references. University of Otago department: English. "D...
Emi Hamana, Shakespeare Performances in Japan: Intercultural-Multi-cultural-Translingual. Yokohama: ...
This study analyzes William Shakespeare\u27s Romeo and Juliet (1596) and his Globe Theater as well a...
This paper explores a landmark production in the history of Asian intercultural theatre, Singaporean...
The purpose of this paper is to address the critical impact of local Shakespeare on global Shakespea...
In her article The Canon and Shakespeare\u27s Plays on the Contemporary East Asian Stage I-Chun Wa...
This paper, focusing on the productions of Othello in Japan, is intended to be the introductory par...
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performin...
This thesis examines and re-evaluates the contemporary performance of Shakespeare in Japan, taking t...
Do Marjorie Garber’s premises that Shakespeare makes modern culture and that modern culture makes Sh...
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film title...
This thesis explores the mechanism of cultural translations of Shakespeare’s plays, which have been ...
grantor: University of TorontoAs major theories and praxis of theatrical interculturalism...
This paper explores a landmark production in the history of Asian intercultural theatre, Singaporean...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
186 leaves ; 30 cm. Includes bibliographical references. University of Otago department: English. "D...
Emi Hamana, Shakespeare Performances in Japan: Intercultural-Multi-cultural-Translingual. Yokohama: ...
This study analyzes William Shakespeare\u27s Romeo and Juliet (1596) and his Globe Theater as well a...
This paper explores a landmark production in the history of Asian intercultural theatre, Singaporean...
The purpose of this paper is to address the critical impact of local Shakespeare on global Shakespea...
In her article The Canon and Shakespeare\u27s Plays on the Contemporary East Asian Stage I-Chun Wa...
This paper, focusing on the productions of Othello in Japan, is intended to be the introductory par...
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performin...
This thesis examines and re-evaluates the contemporary performance of Shakespeare in Japan, taking t...
Do Marjorie Garber’s premises that Shakespeare makes modern culture and that modern culture makes Sh...
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film title...