Add to ORKGThis revisiting of ‘The Haunting of Hill House’ will draw on the psychoanalytical concepts of repression, suppression and projection to explore the central character Eleanor. Centralising the importance of the biographical, and the ways in which the future is always haunted by ghosts from the past, the discussion examines misalignment, unacceptable femininity, the colour red, and the significance of belonging
In her classic horror novel The Haunting of Hill House, Shirley Jackson appropriates Shakespearean r...
Shirley Jackson’s novel The Haunting of Hill House, published in 1959, emerged during a period of f...
The settings of Henry James’s The Turn of the Screw, Daphne du Maurier’s Rebecca, and Shirley Jackso...
This revisiting of ‘The Haunting of Hill House’ will draw on the psychoanalytical concepts of repres...
In her day, Shirley Jackson was known as the author of both haunting supernatural tales and anecdota...
The female gothic as a genre, with its emergence in the 19th century, has a history of critiquing wo...
This dissertation analyzes Hill House from two perspectives. In the first part, it focuses on the ar...
This paper argues that Shirley Jackson uses the physical form generally and architectural features i...
In this study, the author seeks to dispel the fallacious notion that Shirley Jackson\u27s 1959 novel...
Shirley Jackson (1916-1965) is something of a contradiction. Both celebrated and marginalised, Jacks...
This research examines the problems and irregularities of someone in making decisions in the novel T...
abstract: A mother’s treatment toward her child has a direct influence on the happiness, companionsh...
Shirley Jackson’s writing career was haunted by questions of genre. The mid-century New England writ...
In The Haunting of Hill House, Shirley Jackson interplays repression and fear inside a “normal” worl...
Mary Wilkins Freeman and Shirley Jackson, though writing in different time periods, are both investe...
In her classic horror novel The Haunting of Hill House, Shirley Jackson appropriates Shakespearean r...
Shirley Jackson’s novel The Haunting of Hill House, published in 1959, emerged during a period of f...
The settings of Henry James’s The Turn of the Screw, Daphne du Maurier’s Rebecca, and Shirley Jackso...
This revisiting of ‘The Haunting of Hill House’ will draw on the psychoanalytical concepts of repres...
In her day, Shirley Jackson was known as the author of both haunting supernatural tales and anecdota...
The female gothic as a genre, with its emergence in the 19th century, has a history of critiquing wo...
This dissertation analyzes Hill House from two perspectives. In the first part, it focuses on the ar...
This paper argues that Shirley Jackson uses the physical form generally and architectural features i...
In this study, the author seeks to dispel the fallacious notion that Shirley Jackson\u27s 1959 novel...
Shirley Jackson (1916-1965) is something of a contradiction. Both celebrated and marginalised, Jacks...
This research examines the problems and irregularities of someone in making decisions in the novel T...
abstract: A mother’s treatment toward her child has a direct influence on the happiness, companionsh...
Shirley Jackson’s writing career was haunted by questions of genre. The mid-century New England writ...
In The Haunting of Hill House, Shirley Jackson interplays repression and fear inside a “normal” worl...
Mary Wilkins Freeman and Shirley Jackson, though writing in different time periods, are both investe...
In her classic horror novel The Haunting of Hill House, Shirley Jackson appropriates Shakespearean r...
Shirley Jackson’s novel The Haunting of Hill House, published in 1959, emerged during a period of f...
The settings of Henry James’s The Turn of the Screw, Daphne du Maurier’s Rebecca, and Shirley Jackso...