Curated by Valeria Mancinelli, Chiara Nuzzi and Stefania Rispoli, the exhibition explores the existing relationship between images and conflict in the contemporary era. The English term “afterimage” describes that optical illusion by which an image continues to remain impressed in the mind even after the vision of the same has ceased. The exhibition lays out the potential of the public display of the images and the persistence these have in the collective construction of reality. Images play a fundamental role in the description of contemporary scenarios, in the formation of individual or social ideas, and are used in different and apparently ever more free and autonomous ways
Considering its technological and thematical contexts, digital art conveys different – even more com...
Setting off from the post-photography debate and its notions of a general crisis of representation, ...
This article is composed of a succession of notes, linked by the commonality of the theme but not by...
AfterImage is a 3 part international group exhibition with accompanying cultural arts programme. It ...
Curated by Stephen Cooper & Kate Street Artists: Larry Achiampong, Gabriele Beveridge, Bohyeon Bo...
Peter Paul Rubens: The Presentation of the Portrait of Maria de Medici, Oil on Canvas, 1622, Musée d...
The emergency situation started a ‘literacy’ (learning) about the web-based pandemic. Communicating ...
The present issue of \uabLeitmotiv\ubb publishes the proceedings of a workshop entitled Art in the A...
The emergency situation started a ‘literacy’ (learning) about the web-based pandemic. Communicating ...
« Images are now so insidiously omnipresent that their nature has been obliterated. At one time phot...
The reflection on images is a crossing point of many different theoretical fields and disciplines: a...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
The paper is an introduction to the third issue of the Journal for the Philosophy of Language, Mind ...
This study explores the appropriation of images, their fracture and unmaking in relation to the prac...
Utilising observation, forensic, and analytical strategies, the work of six artists offer cinematic ...
Considering its technological and thematical contexts, digital art conveys different – even more com...
Setting off from the post-photography debate and its notions of a general crisis of representation, ...
This article is composed of a succession of notes, linked by the commonality of the theme but not by...
AfterImage is a 3 part international group exhibition with accompanying cultural arts programme. It ...
Curated by Stephen Cooper & Kate Street Artists: Larry Achiampong, Gabriele Beveridge, Bohyeon Bo...
Peter Paul Rubens: The Presentation of the Portrait of Maria de Medici, Oil on Canvas, 1622, Musée d...
The emergency situation started a ‘literacy’ (learning) about the web-based pandemic. Communicating ...
The present issue of \uabLeitmotiv\ubb publishes the proceedings of a workshop entitled Art in the A...
The emergency situation started a ‘literacy’ (learning) about the web-based pandemic. Communicating ...
« Images are now so insidiously omnipresent that their nature has been obliterated. At one time phot...
The reflection on images is a crossing point of many different theoretical fields and disciplines: a...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
The paper is an introduction to the third issue of the Journal for the Philosophy of Language, Mind ...
This study explores the appropriation of images, their fracture and unmaking in relation to the prac...
Utilising observation, forensic, and analytical strategies, the work of six artists offer cinematic ...
Considering its technological and thematical contexts, digital art conveys different – even more com...
Setting off from the post-photography debate and its notions of a general crisis of representation, ...
This article is composed of a succession of notes, linked by the commonality of the theme but not by...