This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for which was the reading aloud of the "Script for the playing of a 7" phonograph record prepared for readthrough" at the symposium Headstone to Hard Drive 2 on 7th February 2015 at Central Saint Martins, London. The script that was read from is printed here. In identifying the potential of documentation, not in the realm of representation but as interception, the discussion posits how the protocols of a script maybe expanded as both a record and a proposition. It goes on to consider how the form of the riddle and riddling inhabits a double-mindedness of oral and aural register alongside the graphic, creating a doubled sense of hearing and seei...
Kathryn and Peter play the recorder by Michael Wolters proves that the recorder is much more than an...
‘Stage Fright’ is a vinyl Record (LP) containing 11 sound and spoken word pieces. It posed the chall...
This article explores the rhetorical context for early spoken sound recordings, placing them in the ...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
<p>This article records an email discussion between Martin Westwood and Sarah Jones the protagonist ...
The advent of new technologies of communication and inscription will perforce be of interest to thos...
Oral literature and music are important elements of Aboriginal Australian cultures for contextualisi...
The version posted here is the expanded version of an essay that first appeared in The Believer in 2...
Isn't it doubly stimulating to read about "oral tradition" and "orality" by entrusting it to the pri...
Isn’t it doubly stimulating to read about “oral tradition ” and “orality” by entrusting it to the pr...
A paper exploring the physical, creative and ethical ramifications of using a specific archive for t...
The birth of electroacoustic music is associated with an era of creativity which is now firmly embed...
In what might be described as an 'ecological' spirit, here I recycle an ancient form, the dialogue. ...
Transcription of performance talk jointly written and performed at the Kunstraum Riehen, Switzerland
From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology...
Kathryn and Peter play the recorder by Michael Wolters proves that the recorder is much more than an...
‘Stage Fright’ is a vinyl Record (LP) containing 11 sound and spoken word pieces. It posed the chall...
This article explores the rhetorical context for early spoken sound recordings, placing them in the ...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
<p>This article records an email discussion between Martin Westwood and Sarah Jones the protagonist ...
The advent of new technologies of communication and inscription will perforce be of interest to thos...
Oral literature and music are important elements of Aboriginal Australian cultures for contextualisi...
The version posted here is the expanded version of an essay that first appeared in The Believer in 2...
Isn't it doubly stimulating to read about "oral tradition" and "orality" by entrusting it to the pri...
Isn’t it doubly stimulating to read about “oral tradition ” and “orality” by entrusting it to the pr...
A paper exploring the physical, creative and ethical ramifications of using a specific archive for t...
The birth of electroacoustic music is associated with an era of creativity which is now firmly embed...
In what might be described as an 'ecological' spirit, here I recycle an ancient form, the dialogue. ...
Transcription of performance talk jointly written and performed at the Kunstraum Riehen, Switzerland
From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology...
Kathryn and Peter play the recorder by Michael Wolters proves that the recorder is much more than an...
‘Stage Fright’ is a vinyl Record (LP) containing 11 sound and spoken word pieces. It posed the chall...
This article explores the rhetorical context for early spoken sound recordings, placing them in the ...