This visual essay is based on a conversation in June 2016 between artist Rosanna Raymond and academic Karen Jacobs on Raymond’s art work, The SaVAge K’lub, with which she contributed to the eighth Asia Pacific Triennial of Contemporary Art. While this artwork challenges a variety of stereotypical misrepresentations of Pacific people and their arts, it unexpectedly appeared to reinforce certain perceptions too
Torres Strait Islander artists provide significant character to the cultural and intellectual life o...
FABRA-KEI-SKIN, 2004. Photography: Kerry Brown; Digital manipulation: Matt Barron; Conception, drawi...
Artist Analysis of Paula Schaafhausenhttps://scholar.utc.edu/global-contemporary-artists/1014/thumbn...
This essay explores presentation of identity and debates about curatorial practice in a recent tour...
Contemporary artists seek to create work and establish an identity in an increasingly globalised and...
AFFINITIES AND AFFILIATIONS: BLACK PACIFIC ART IN THE UNITED STATES AND AOTEAROA/NEW ZEALAND, 1948-2...
Keryn Jones: Ngai Takoto/Te Aupouri/ Nga Puhi. Neck piece of coconut, pounamu (jade), pig tusk, ribb...
Keryn Jones: Ngai Takoto/Te Aupouri/ Nga Puhi. Neck piece of coconut disk, pounamu (jade), pig tusk,...
Tiare Tito: Te Aupouri/NgaPuhi/Ngati Wharetoa/ Rarotonga. Neck piece of coconut disk Tupe seed. TUSK...
Essay commissioned but not used for exhibition at Calder & Lawson Gallery, Academy of Performing Art...
For centuries the image of the Dusky Maiden has occupied a prominent place in the Western imaginatio...
For the 8th Asia Pacific Triennial of Contemporary Art (apt) (2015–16), Sydney-based artists Justin ...
This work examines the work of Aboriginal Australian artist Dr Pamela Croft (DVA) and her use of bot...
Contextualising the 2nd Auckland Triennial, looking at spatial features of international contemporar...
International audienceFew anthropologists have been interested in the contemporary art of the Māori ...
Torres Strait Islander artists provide significant character to the cultural and intellectual life o...
FABRA-KEI-SKIN, 2004. Photography: Kerry Brown; Digital manipulation: Matt Barron; Conception, drawi...
Artist Analysis of Paula Schaafhausenhttps://scholar.utc.edu/global-contemporary-artists/1014/thumbn...
This essay explores presentation of identity and debates about curatorial practice in a recent tour...
Contemporary artists seek to create work and establish an identity in an increasingly globalised and...
AFFINITIES AND AFFILIATIONS: BLACK PACIFIC ART IN THE UNITED STATES AND AOTEAROA/NEW ZEALAND, 1948-2...
Keryn Jones: Ngai Takoto/Te Aupouri/ Nga Puhi. Neck piece of coconut, pounamu (jade), pig tusk, ribb...
Keryn Jones: Ngai Takoto/Te Aupouri/ Nga Puhi. Neck piece of coconut disk, pounamu (jade), pig tusk,...
Tiare Tito: Te Aupouri/NgaPuhi/Ngati Wharetoa/ Rarotonga. Neck piece of coconut disk Tupe seed. TUSK...
Essay commissioned but not used for exhibition at Calder & Lawson Gallery, Academy of Performing Art...
For centuries the image of the Dusky Maiden has occupied a prominent place in the Western imaginatio...
For the 8th Asia Pacific Triennial of Contemporary Art (apt) (2015–16), Sydney-based artists Justin ...
This work examines the work of Aboriginal Australian artist Dr Pamela Croft (DVA) and her use of bot...
Contextualising the 2nd Auckland Triennial, looking at spatial features of international contemporar...
International audienceFew anthropologists have been interested in the contemporary art of the Māori ...
Torres Strait Islander artists provide significant character to the cultural and intellectual life o...
FABRA-KEI-SKIN, 2004. Photography: Kerry Brown; Digital manipulation: Matt Barron; Conception, drawi...
Artist Analysis of Paula Schaafhausenhttps://scholar.utc.edu/global-contemporary-artists/1014/thumbn...