Began as a compositional analysis of the oil-on-canvas portraits painted by John Singer Sargent, this thesis uses a selection of those images to relate national identity, cultural and social history within cosmopolitan British and American high society between 1890 and 1910. Close readings of a small selection of Sargent’s portraits are used in order to undertake an in-depth analysis on the particular figural details and decorative elements found within these images, and how they can relate to nation-specific ideologies and issues present at the turn of the century. Thorough research was undertaken to understand the prevailing social types and concerns of the period, and biographical data of individual sitters was gathered to draw large...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
Eighteenth-century English and American portraits are complex, culturally bound artifacts subject to...
© 1992 Myra ScottEdwardian England was projected in paintings by artists such as John Singer Sargent...
Began as a compositional analysis of the oil-on-canvas portraits painted by John Singer Sargent, thi...
In the elegant society portraits by John Singer Sargent, body language created social identities. Th...
In the elegant society portraits by John Singer Sargent, body language created social identities. Th...
This article examines how questions about John Singer Sargent’s American nationality, his Anglo-Amer...
John Singer Sargent (1856-1925) was an American painter who was born and spent the majority of his l...
Though John Singer Sargent has largely been considered the greatest portraitist of the Edwardian age...
How do we understand the artist; how do we imagine he or she lives? Is our view formed by visiting e...
This article examines how John Singer Sargent’s American nationality, his Anglo-American expatriate ...
This paper examines the content of eighteenth-century American and British portraits within the ideo...
Between 1918 and 1930, American artists began depicting themselves and their intertwined circles of ...
“One Object” is a British Art Studies series that uses an object from a collection as a starting poi...
When Virginia was first colonized, the environment wasn’t stable enough to support art. With the cul...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
Eighteenth-century English and American portraits are complex, culturally bound artifacts subject to...
© 1992 Myra ScottEdwardian England was projected in paintings by artists such as John Singer Sargent...
Began as a compositional analysis of the oil-on-canvas portraits painted by John Singer Sargent, thi...
In the elegant society portraits by John Singer Sargent, body language created social identities. Th...
In the elegant society portraits by John Singer Sargent, body language created social identities. Th...
This article examines how questions about John Singer Sargent’s American nationality, his Anglo-Amer...
John Singer Sargent (1856-1925) was an American painter who was born and spent the majority of his l...
Though John Singer Sargent has largely been considered the greatest portraitist of the Edwardian age...
How do we understand the artist; how do we imagine he or she lives? Is our view formed by visiting e...
This article examines how John Singer Sargent’s American nationality, his Anglo-American expatriate ...
This paper examines the content of eighteenth-century American and British portraits within the ideo...
Between 1918 and 1930, American artists began depicting themselves and their intertwined circles of ...
“One Object” is a British Art Studies series that uses an object from a collection as a starting poi...
When Virginia was first colonized, the environment wasn’t stable enough to support art. With the cul...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
Eighteenth-century English and American portraits are complex, culturally bound artifacts subject to...
© 1992 Myra ScottEdwardian England was projected in paintings by artists such as John Singer Sargent...