Add to ORKGAbjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category
The aim of this paper is to identify the elements that allow us to build a theoretical, art historic...
This is an investigation on writing, through writing, with writing, on and in thinking with Julia Kr...
Julia Kristeva informs her perspectives of psychoanalysis with a model of linguistic development tha...
The Picture of Abjection is an analysis of independent, contemporary, international film. Appropriat...
Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature by...
This major new volume brings together leading international scholars to debate the continuing import...
To experience the abject is described by Julia Kristeva as being drawn into a place where constructe...
Julia Kristeva’s theory of abjection, as propounded in Powers of Horror, emphasises the centrality o...
This essay analyzes the implications of the performative aspects of Julia Kristeva 's Powers of Horr...
In keeping within a new materialist approach, this paper involves a transversal encounter with, Kris...
The aim of this study is to bring together abjection theory, as elaborated in Julia Kristeva’s Power...
El presente artículo tiene como objetivo analizar las re-presentaciones de la mujer que elaboran en ...
There looms, within abjection, one of those violent, dark revolts of being, directed against a threa...
Disney’s 2014 film, Maleficent (dir. Robert Stromberg) lends itself to several readings, most notabl...
Abjection normally is understood as the gross taste. However, whether such humiliation is also under...
The aim of this paper is to identify the elements that allow us to build a theoretical, art historic...
This is an investigation on writing, through writing, with writing, on and in thinking with Julia Kr...
Julia Kristeva informs her perspectives of psychoanalysis with a model of linguistic development tha...
The Picture of Abjection is an analysis of independent, contemporary, international film. Appropriat...
Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature by...
This major new volume brings together leading international scholars to debate the continuing import...
To experience the abject is described by Julia Kristeva as being drawn into a place where constructe...
Julia Kristeva’s theory of abjection, as propounded in Powers of Horror, emphasises the centrality o...
This essay analyzes the implications of the performative aspects of Julia Kristeva 's Powers of Horr...
In keeping within a new materialist approach, this paper involves a transversal encounter with, Kris...
The aim of this study is to bring together abjection theory, as elaborated in Julia Kristeva’s Power...
El presente artículo tiene como objetivo analizar las re-presentaciones de la mujer que elaboran en ...
There looms, within abjection, one of those violent, dark revolts of being, directed against a threa...
Disney’s 2014 film, Maleficent (dir. Robert Stromberg) lends itself to several readings, most notabl...
Abjection normally is understood as the gross taste. However, whether such humiliation is also under...
The aim of this paper is to identify the elements that allow us to build a theoretical, art historic...
This is an investigation on writing, through writing, with writing, on and in thinking with Julia Kr...
Julia Kristeva informs her perspectives of psychoanalysis with a model of linguistic development tha...