As part of the AHRC funded Academic Book of the Future project and the Frequency Festival (2015), this paper explores the possibilities for practice-as-research in digital publications. The presentation includes a demonstration of the multi-layered opportunities available through digital publishing by using a case study example "The Slippery Trail: the mollusc as a metaphor for creative practice", published in the journal of artistic research (2015), as well as a work in progress called "Tourist in the (K)Now". Conference link: http://frequency.org.uk/uol-symposium-impossible-constellations-publishing-in-the-digital-age
Ethnographic methods have filtered from academia to product development, particularly in the technol...
Since 2009, there has been an increased presence of group exhibitions in public institutions in the...
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...
PhDIn this thesis, I address ephemeras – namely temporary displays in the form of festivals and exh...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Artists’ books have evolved over the last sixty years into a significant, international contemporary...
2013-2014 U-M Library Undergraduate Research Award Maize Award for Single-Term Projects, First Place...
This is the author accepted manuscript. The final version is available from Elsevier via the DOI in ...
Material arts, craft-based practices, digital processes and technological constructs influence, sup...
Documento: a lo largo de sus estudios académicos necesitará parafrasear las obras de muchos otros au...
This paper explores the role of lighting in creating place and the challenges and opportunities intr...
There seems to be widespread agreement that there are two modal values: necessity and possibility. X...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
This study examines ETDs deposited during the period 2011-2015 in an institutional repository, to de...
This submission presents findings and makings drawn from an emergent hybrid participatory walking a...
Ethnographic methods have filtered from academia to product development, particularly in the technol...
Since 2009, there has been an increased presence of group exhibitions in public institutions in the...
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...
PhDIn this thesis, I address ephemeras – namely temporary displays in the form of festivals and exh...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Artists’ books have evolved over the last sixty years into a significant, international contemporary...
2013-2014 U-M Library Undergraduate Research Award Maize Award for Single-Term Projects, First Place...
This is the author accepted manuscript. The final version is available from Elsevier via the DOI in ...
Material arts, craft-based practices, digital processes and technological constructs influence, sup...
Documento: a lo largo de sus estudios académicos necesitará parafrasear las obras de muchos otros au...
This paper explores the role of lighting in creating place and the challenges and opportunities intr...
There seems to be widespread agreement that there are two modal values: necessity and possibility. X...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
This study examines ETDs deposited during the period 2011-2015 in an institutional repository, to de...
This submission presents findings and makings drawn from an emergent hybrid participatory walking a...
Ethnographic methods have filtered from academia to product development, particularly in the technol...
Since 2009, there has been an increased presence of group exhibitions in public institutions in the...
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...