J. K. Rowling’s Harry Potter series exists as part of a fully-fledged multi-media and material culture, one that participates extensively in medievalism. This article examines the various categories of medievalism perpetuated by the Harry Potter books and their surrounding culture—literary (including ‘creative’ and ‘scholarly’), movie, and experiential medievalisms—and introduces the idea of material medievalisms. It also considers how these fields intersect and contribute to a type of convergence culture in which scholarly and popular rethinkings of the Middle Ages meet
"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a maj...
The purpose of this essay is to present the reader an analysis of Harry Potter as high fantasy and h...
"The success of the Harry Potter phenomenon may be seen as co-constitutive of the general resurfacin...
The article is a reading of the four volumes of the Harry Potter saga; starting by recent critical i...
This article outlines how, from a pedagogical perspective, J. K. Rowling’s Harry Potter series provi...
This thesis is a study of the first four books of J. K. Rowling’s Harry Potter series. It accounts f...
abstract The success of the Harry Potter phenomenon may be seen as co-constitutive of the general re...
Abstract The Harry Potter novels, since the publication of the first book of the series in 1997, hav...
In her Harry Potter novels, Rowling brings to life for young readers themes and motifs that permeate...
Seven books in the Harry Potter series by J. K. Rowling have broken sales records worldwide. They ha...
In this thesis, I explore how and why a body of material culture was created in the late medieval pe...
In this article I argue that the Harry Potter series could function as a critique or commentary to t...
In this article I argue that the Harry Potter series could function as a critique or commentary to t...
J. K. Rowling’s “ Harry Potter” series (1997–2007) has turned into a global phenomenon and her Potte...
This article discusses the issue of politics and hegemony in Harry Potter, a fantasy series by Briti...
"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a maj...
The purpose of this essay is to present the reader an analysis of Harry Potter as high fantasy and h...
"The success of the Harry Potter phenomenon may be seen as co-constitutive of the general resurfacin...
The article is a reading of the four volumes of the Harry Potter saga; starting by recent critical i...
This article outlines how, from a pedagogical perspective, J. K. Rowling’s Harry Potter series provi...
This thesis is a study of the first four books of J. K. Rowling’s Harry Potter series. It accounts f...
abstract The success of the Harry Potter phenomenon may be seen as co-constitutive of the general re...
Abstract The Harry Potter novels, since the publication of the first book of the series in 1997, hav...
In her Harry Potter novels, Rowling brings to life for young readers themes and motifs that permeate...
Seven books in the Harry Potter series by J. K. Rowling have broken sales records worldwide. They ha...
In this thesis, I explore how and why a body of material culture was created in the late medieval pe...
In this article I argue that the Harry Potter series could function as a critique or commentary to t...
In this article I argue that the Harry Potter series could function as a critique or commentary to t...
J. K. Rowling’s “ Harry Potter” series (1997–2007) has turned into a global phenomenon and her Potte...
This article discusses the issue of politics and hegemony in Harry Potter, a fantasy series by Briti...
"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a maj...
The purpose of this essay is to present the reader an analysis of Harry Potter as high fantasy and h...
"The success of the Harry Potter phenomenon may be seen as co-constitutive of the general resurfacin...