We live in sound, it is all around us. We are implicated in the social relationships and ideologies that we hear reflected back to us. Sound art offers the chance to critique the world that we hear and to produce new and different possibilities. Are sound artists taking up the challenge of offering new ways of knowing or changing the world and does this need new ways of listening and understanding? Can sound art or listening act as tools for radical change by ‘de-conditioning’ our listening and help us cross linguistic, cultural, geographic, ethnic, gendered, specied and sexual prejudicial borders? This presentation will consider how a new listenings might lead to a richer more inclusive sound art that can embrace and celebrate difference
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
Extoling and promoting listening is deeply ingrained, even on occasion raison d’être, in sound art p...
ABSTRACT This research looks at sound as a mode of knowledge transference. Sound here operates as a...
What does it mean to listen? The omnipresent hum of the grid and the ubiquity of cheap headphones co...
ABSTRACT This research looks at sound as a mode of knowledge transference. Sound here operates as a ...
© 2016 Dr. Camille RobinsonSonic artists and listeners to sonic artworks tend to take for granted th...
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connecti...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
In this presentation I will propose that Sound Art, whether gallery based, or site specific, in natu...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
Employing the arts based methodology Performative Inquiry, attending to emergent moments, those of s...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
Extoling and promoting listening is deeply ingrained, even on occasion raison d’être, in sound art p...
ABSTRACT This research looks at sound as a mode of knowledge transference. Sound here operates as a...
What does it mean to listen? The omnipresent hum of the grid and the ubiquity of cheap headphones co...
ABSTRACT This research looks at sound as a mode of knowledge transference. Sound here operates as a ...
© 2016 Dr. Camille RobinsonSonic artists and listeners to sonic artworks tend to take for granted th...
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connecti...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
In this presentation I will propose that Sound Art, whether gallery based, or site specific, in natu...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
Employing the arts based methodology Performative Inquiry, attending to emergent moments, those of s...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...
This special edition of Voices: A World Forum for Music Therapy is dedicated to the glorious blurred...
Sound is no longer produced only by humans and nature. New sources of sound such as the ipod and cel...