This chapter examines Michael Josselson’s assertion that Encounter magazine represented the Congress for Cultural Freedom’s ‘greatest asset’. It considers the unpublished archival record, and the vexed question of the relation of CIA funding to Encounter’s editorial independence. However, it places the greatest emphasis on interpreting the contents of the magazine in the light of the details of contemporary periodical debates in London, and also within the larger intellectual currents of the cultural Cold War. Ultimately, Harding’s analysis reveals the extent to which Encounter transcended rather than conformed to the template set by other CCF journals
In 1943 the British Foreign Office created an obscure outfit called the Cultural Relations Departmen...
The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how f...
This volume forms a powerful antidote to the view that human life is determined by apparently impers...
This chapter examines Michael Josselson’s assertion that Encounter magazine represented the Congress...
This article contributes to the growing literature on the cultural Cold War through an exploration o...
Encounter's historical significance lies in its being an Anglo-American cultural and political pheno...
From the 1950 to 1967, the U.S. government, employing the newly formed CIA, covertly provided the ma...
This project examines the literary and political content of Encounter magazine, a monthly periodical...
Abstract In 1950, the United States Central Intelligence Agency created the Congress for Cultural Fr...
Modernism is synonymous with cosmopolitanism. In their groundbreaking collection of essays, Malcolm ...
It is the magazine’s [L'Express] evolution over the first ten years of its life which this article s...
This article introduces the dossier of responses to the RETORT collective's Afflicted Powers: Capita...
The current project is a two-pronged study of Horison (Indonesia) and Solidarity (Philippines), two ...
The University of Chicago was the site of a remarkable ideological alignment after World War II. Its...
During the cold war, the British entertainment industry escaped the extent of the anti-communist sen...
In 1943 the British Foreign Office created an obscure outfit called the Cultural Relations Departmen...
The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how f...
This volume forms a powerful antidote to the view that human life is determined by apparently impers...
This chapter examines Michael Josselson’s assertion that Encounter magazine represented the Congress...
This article contributes to the growing literature on the cultural Cold War through an exploration o...
Encounter's historical significance lies in its being an Anglo-American cultural and political pheno...
From the 1950 to 1967, the U.S. government, employing the newly formed CIA, covertly provided the ma...
This project examines the literary and political content of Encounter magazine, a monthly periodical...
Abstract In 1950, the United States Central Intelligence Agency created the Congress for Cultural Fr...
Modernism is synonymous with cosmopolitanism. In their groundbreaking collection of essays, Malcolm ...
It is the magazine’s [L'Express] evolution over the first ten years of its life which this article s...
This article introduces the dossier of responses to the RETORT collective's Afflicted Powers: Capita...
The current project is a two-pronged study of Horison (Indonesia) and Solidarity (Philippines), two ...
The University of Chicago was the site of a remarkable ideological alignment after World War II. Its...
During the cold war, the British entertainment industry escaped the extent of the anti-communist sen...
In 1943 the British Foreign Office created an obscure outfit called the Cultural Relations Departmen...
The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how f...
This volume forms a powerful antidote to the view that human life is determined by apparently impers...