Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona constr...
This article explores the processes through which the ‘public secrecy’ of rape during the Bangladesh...
This paper aims to examine the relationship between a Birangona, and the men of a patriarchal social...
Nadeem Aslam’s Maps for Lost Lovers (2004) is expressly concerned with questions of gender inequalit...
In December 1971, East Pakistan became the independent nation of Bangladesh after a nine-month war w...
This article examines the relationship between aesthetics and politics when invoking the imagery of ...
The formation of Bangladesh in 1971 coincided with the death of three million people and rape of two...
Labonno/Labony needs to do a school project on family memories of 1971, the Bangladesh War. When com...
This article examines the role of graphic ethnography in mapping the objects and feelings of fear th...
Rape, commonly used as a weapon of war, was long seen as an inevitable by-product of battle. Recent ...
When remembering the civil war between East and West Pakistan in 1971, most accounts are told from a...
The year 1971 symbolizes an episode of a bloodbath in the history of South Asia. Popularly known as ...
The 1971 War of Bangladesh witnessed one of the worst incidents of gender-based violence in history ...
Two decades ago, ‘1971’ was deemed to not have a market within Indian publishing houses and media ou...
This presentation seeks to ethnographically explore the affective aesthetics in Dhaka, Bangladesh, w...
The article aims to portray the traumas and sufferings of female war survivors in pre and post-1971 ...
This article explores the processes through which the ‘public secrecy’ of rape during the Bangladesh...
This paper aims to examine the relationship between a Birangona, and the men of a patriarchal social...
Nadeem Aslam’s Maps for Lost Lovers (2004) is expressly concerned with questions of gender inequalit...
In December 1971, East Pakistan became the independent nation of Bangladesh after a nine-month war w...
This article examines the relationship between aesthetics and politics when invoking the imagery of ...
The formation of Bangladesh in 1971 coincided with the death of three million people and rape of two...
Labonno/Labony needs to do a school project on family memories of 1971, the Bangladesh War. When com...
This article examines the role of graphic ethnography in mapping the objects and feelings of fear th...
Rape, commonly used as a weapon of war, was long seen as an inevitable by-product of battle. Recent ...
When remembering the civil war between East and West Pakistan in 1971, most accounts are told from a...
The year 1971 symbolizes an episode of a bloodbath in the history of South Asia. Popularly known as ...
The 1971 War of Bangladesh witnessed one of the worst incidents of gender-based violence in history ...
Two decades ago, ‘1971’ was deemed to not have a market within Indian publishing houses and media ou...
This presentation seeks to ethnographically explore the affective aesthetics in Dhaka, Bangladesh, w...
The article aims to portray the traumas and sufferings of female war survivors in pre and post-1971 ...
This article explores the processes through which the ‘public secrecy’ of rape during the Bangladesh...
This paper aims to examine the relationship between a Birangona, and the men of a patriarchal social...
Nadeem Aslam’s Maps for Lost Lovers (2004) is expressly concerned with questions of gender inequalit...