This essay proposes a contribution to the critique of contemporary capitalism, particularly with regard to its entwinement with culture and, thereby, its creeping subsumption of life more generally – a formation it nominates ‘artistic capitalism’. This is confronted by an attempt to reconstruct the deep affinity between the modern ideas of art and communism, especially in the unspoken correspondences between post‐Kantian aesthetics and Marx’s early writings – the essay formulates the idea of ‘artistic communism’ to grasp this affinity. But this reconstruction also has the aim of revealing how contemporary capitalist culture comes to appropriate and invert artistic communism, something elaborated through reflecting on the diagnoses of ‘cultu...
This article takes up Lipovetsky‟s discussion on artistic capitalism in L’esthétisation du monde. Vi...
Marx, commodities and the work of art. Could a work of art be a commodity? In this essay I will disc...
The article presents three models of radical cultural practice: Adorno’s dissonant modernism, Brecht...
This essay proposes a contribution to the critique of contemporary capitalism, particularly with reg...
This essay attempts to elaborate an original and profound issue emerging from my research into capit...
Over-identification is a politico-aesthetic strategy famously developed by the music band Laibach an...
Art’s primary function, at least for a certain tradition of thinking, is to criticize capitalist soc...
In the present essay I propose a reading of the expression “politicizing art” used by Walter Benjami...
This paper challenges the notion that the only way to progress to a post-capitalist society is throu...
<p><strong>POLITICAL ONTOLOGIES OF ART. LENIN, RELATIONAL AESTHETICS</strong> <strong>AND BIOPOLITI...
This paper derived from (1) contribution to conference paper, ‘Literature, Art and the Arts', presen...
Art & Postcapitalism locates contemporary postcapitalist theory into a history of debates about art ...
At the beginning of the XX century, bourgeois theorists of artistic culture declared dehumanization ...
ABSTRACT Integral to the modern paradigm of cultural critique is an entropic vision of the ‘completi...
Art Style | Art & Culture International Magazine Abstract This essay addresses the mercantile rela...
This article takes up Lipovetsky‟s discussion on artistic capitalism in L’esthétisation du monde. Vi...
Marx, commodities and the work of art. Could a work of art be a commodity? In this essay I will disc...
The article presents three models of radical cultural practice: Adorno’s dissonant modernism, Brecht...
This essay proposes a contribution to the critique of contemporary capitalism, particularly with reg...
This essay attempts to elaborate an original and profound issue emerging from my research into capit...
Over-identification is a politico-aesthetic strategy famously developed by the music band Laibach an...
Art’s primary function, at least for a certain tradition of thinking, is to criticize capitalist soc...
In the present essay I propose a reading of the expression “politicizing art” used by Walter Benjami...
This paper challenges the notion that the only way to progress to a post-capitalist society is throu...
<p><strong>POLITICAL ONTOLOGIES OF ART. LENIN, RELATIONAL AESTHETICS</strong> <strong>AND BIOPOLITI...
This paper derived from (1) contribution to conference paper, ‘Literature, Art and the Arts', presen...
Art & Postcapitalism locates contemporary postcapitalist theory into a history of debates about art ...
At the beginning of the XX century, bourgeois theorists of artistic culture declared dehumanization ...
ABSTRACT Integral to the modern paradigm of cultural critique is an entropic vision of the ‘completi...
Art Style | Art & Culture International Magazine Abstract This essay addresses the mercantile rela...
This article takes up Lipovetsky‟s discussion on artistic capitalism in L’esthétisation du monde. Vi...
Marx, commodities and the work of art. Could a work of art be a commodity? In this essay I will disc...
The article presents three models of radical cultural practice: Adorno’s dissonant modernism, Brecht...