The current work for hire doctrine, as embodied by 17 U.S.C. Sections 101 and 201 and interpreted by the judiciary, provides a default rule of copyright ownership in favor of employers where a work is created by an employee in the scope of employment. In the absence of a written agreement, a finding that an engagement is a work for hire under the statute automatically results in all ownership being vested in the employer. This result often contradicts business norms and the understanding of one or both of the parties. In this Article, the author advocates abolishing the all-or-nothing concept of ownership in favor of a more particularized analysis that emphasizes the expectations of the parties. This would involve first reversing the curren...
Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 C...
Copyright is in every original literary, dramatic, musical and artistic work, and mechanical contriv...
In order to protect authors and artists from unremunerative transfers of copyright, Congress for the...
The current work for hire doctrine, as embodied by 17 U.S.C. Sections 101 and 201 and interpreted by...
The current work for hire doctrine, as embodied by 17 U.S.C. Sections 101 and 201 and interpreted by...
Often, a copyrighted work is not created by one or even two authors but, instead, by a multitude of ...
U.S. copyright law mandates the employer is both the author and owner of any work created by an empl...
The author examines the works made for hire doctrine and the confusion that has arisen in the fede...
The Copyright Act of 1976 provides that works—including scholarship—written within the scope of empl...
It has been more than 15 years since the U.S. Supreme Court, in its landmark decision in Community f...
Prior to the Supreme Court\u27s 1989 decision in Community for Creative Non-Violence v. Reid, the C...
Many copyrightable works of university faculty members may be works-for-hire as defined under curren...
Corporations have long held core aspects of legal personhood, such as rights to own and divest prope...
The work for hire doctrine is a legal mechanism by which the creator of an artistic work’s employer ...
This note examines the United States Supreme Court's decision which set forth the proper analysis fo...
Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 C...
Copyright is in every original literary, dramatic, musical and artistic work, and mechanical contriv...
In order to protect authors and artists from unremunerative transfers of copyright, Congress for the...
The current work for hire doctrine, as embodied by 17 U.S.C. Sections 101 and 201 and interpreted by...
The current work for hire doctrine, as embodied by 17 U.S.C. Sections 101 and 201 and interpreted by...
Often, a copyrighted work is not created by one or even two authors but, instead, by a multitude of ...
U.S. copyright law mandates the employer is both the author and owner of any work created by an empl...
The author examines the works made for hire doctrine and the confusion that has arisen in the fede...
The Copyright Act of 1976 provides that works—including scholarship—written within the scope of empl...
It has been more than 15 years since the U.S. Supreme Court, in its landmark decision in Community f...
Prior to the Supreme Court\u27s 1989 decision in Community for Creative Non-Violence v. Reid, the C...
Many copyrightable works of university faculty members may be works-for-hire as defined under curren...
Corporations have long held core aspects of legal personhood, such as rights to own and divest prope...
The work for hire doctrine is a legal mechanism by which the creator of an artistic work’s employer ...
This note examines the United States Supreme Court's decision which set forth the proper analysis fo...
Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 C...
Copyright is in every original literary, dramatic, musical and artistic work, and mechanical contriv...
In order to protect authors and artists from unremunerative transfers of copyright, Congress for the...