As digital networks emerge as the dominant means of distributing copyrighted works, the first sale doctrine is increasingly marginalized. The limitations first sale places on the exclusive right of distribution are of little importance when the alienation and use of copies entails their reproduction. This fact of the modern copyright marketplace has led to calls for statutory clarification of digital first sale rights. Acknowledging the obstacles to legislative intervention, this Article argues that courts are equipped today to limit copyright exclusivity in order to enable copy owners to make traditionally lawful uses of their copies, including resale through secondary markets. We argue that first sale is not simply an isolated limitation ...
In Capitol Records v. ReDigi, the District Court for the Southern District of New York ruled that ...
Copyright law sets up an inevitable tension between the intellectual property of creators and the pe...
In its UsedSoft and Ranks judgments the CJEU interprets the concept of distribution and its digital ...
As digital networks emerge as the dominant means of distributing copyrighted works, the first sale d...
This Article discusses Section 109 of the Copyright Act, the first sale doctrine, in the context of ...
Through the first sale doctrine, copyright laws around the world establish for an owner of the copy ...
The digital shift in distribution, from markets premised on disposing of physical artifacts to marke...
Rumor has it that the first-sale doctrine is dying. According to the rumor, the doctrine, forged in ...
In the past, copyrighted works were distributed exclusively through physical means, while copyright ...
The Internet offers a means to create, copy and distribute copyrighted works of a quality and in a v...
Whereas the first sale doctrine historically permitted the transfer and resale of copyrighted works,...
In this Article, written for a symposium on the future of libraries in the digital age, I present an...
The first sale doctrine has been essential to the balance in copyright law between authors\u27 right...
This Article builds on our earlier work on exhaustion. We have previously emphasized the common law ...
In Capitol Records v. ReDigi, the District Court for the Southern District of New York ruled that ...
Copyright law sets up an inevitable tension between the intellectual property of creators and the pe...
In its UsedSoft and Ranks judgments the CJEU interprets the concept of distribution and its digital ...
As digital networks emerge as the dominant means of distributing copyrighted works, the first sale d...
This Article discusses Section 109 of the Copyright Act, the first sale doctrine, in the context of ...
Through the first sale doctrine, copyright laws around the world establish for an owner of the copy ...
The digital shift in distribution, from markets premised on disposing of physical artifacts to marke...
Rumor has it that the first-sale doctrine is dying. According to the rumor, the doctrine, forged in ...
In the past, copyrighted works were distributed exclusively through physical means, while copyright ...
The Internet offers a means to create, copy and distribute copyrighted works of a quality and in a v...
Whereas the first sale doctrine historically permitted the transfer and resale of copyrighted works,...
In this Article, written for a symposium on the future of libraries in the digital age, I present an...
The first sale doctrine has been essential to the balance in copyright law between authors\u27 right...
This Article builds on our earlier work on exhaustion. We have previously emphasized the common law ...
In Capitol Records v. ReDigi, the District Court for the Southern District of New York ruled that ...
Copyright law sets up an inevitable tension between the intellectual property of creators and the pe...
In its UsedSoft and Ranks judgments the CJEU interprets the concept of distribution and its digital ...