Recital 44 asserts that the question of exhaustion does not arise in the context of online delivery of (digital) works, which is generally understood to mean that the owner of copyright maintains full control over the digital dissemination of digital works. Above and beyond impacting upon the question of whether exhaustion may occur online, a broader issue is at stake here. Historically, the exhaustion rule developed out of the notion of an implied licence. The latter was an attempt to explain the loss of control rights of IP owners following the first act of exploitation
This article explores how exhaustion and non-exhaustion of certain rights can be more coherently exp...
Rumor has it that the first-sale doctrine is dying. According to the rumor, the doctrine, forged in ...
The plea of applying the exhaustion doctrine to intangible copies of copyrighted artistic works has ...
Recital 44 asserts that the question of exhaustion does not arise in the context of online delivery ...
The exhaustion doctrine (also known in some jurisdictions as the ''first sale doctrine See U.S. Copy...
As digital networks emerge as the dominant means of distributing copyrighted works, the first sale d...
According to the principle of copyright exhaustion, once a copy of a work is placed on the market, t...
The digital shift in distribution, from markets premised on disposing of physical artifacts to marke...
The Internet offers a means to create, copy and distribute copyrighted works of a quality and in a v...
The purpose of the article is to provide first a doctrinal summary of the concept, rules and policy ...
The “exhaustion rule” is a rather ambiguous legal construct. The question whether this rule still ap...
It is a common perception that copyright has been struck by a serious crisis of legitimacy. This cri...
In this Article, written for a symposium on the future of libraries in the digital age, I present an...
This Article builds on our earlier work on exhaustion. We have previously emphasized the common law ...
This article explores how exhaustion and non-exhaustion of certain rights can be more coherently exp...
Rumor has it that the first-sale doctrine is dying. According to the rumor, the doctrine, forged in ...
The plea of applying the exhaustion doctrine to intangible copies of copyrighted artistic works has ...
Recital 44 asserts that the question of exhaustion does not arise in the context of online delivery ...
The exhaustion doctrine (also known in some jurisdictions as the ''first sale doctrine See U.S. Copy...
As digital networks emerge as the dominant means of distributing copyrighted works, the first sale d...
According to the principle of copyright exhaustion, once a copy of a work is placed on the market, t...
The digital shift in distribution, from markets premised on disposing of physical artifacts to marke...
The Internet offers a means to create, copy and distribute copyrighted works of a quality and in a v...
The purpose of the article is to provide first a doctrinal summary of the concept, rules and policy ...
The “exhaustion rule” is a rather ambiguous legal construct. The question whether this rule still ap...
It is a common perception that copyright has been struck by a serious crisis of legitimacy. This cri...
In this Article, written for a symposium on the future of libraries in the digital age, I present an...
This Article builds on our earlier work on exhaustion. We have previously emphasized the common law ...
This article explores how exhaustion and non-exhaustion of certain rights can be more coherently exp...
Rumor has it that the first-sale doctrine is dying. According to the rumor, the doctrine, forged in ...
The plea of applying the exhaustion doctrine to intangible copies of copyrighted artistic works has ...