Record labels have brought thousands of copyright infringement lawsuits against individuals engaged in the online downloading and distribution of music. As these lawsuits work their way through the court system, a debate has emerged over the constitutionality of the large statutory damage awards some juries have awarded. In arguing that the copyright statute results in unconstitutional damage awards, commentators as well as defendants accused of copyright infringement contend that courts should apply the rigorous standard of review for punitive damages that the U.S. Supreme Court adopted in BMW of North America v. Gore to find large statutory damage awards unconstitutional. But the record labels and numerous commentators maintain that Go...
In Williams v. Bridgeport Music, Marvin Gaye’s estate alleged that the popular song “Blurred Lines” ...
Musical copyright disputes often arise involving various parties, applicable laws, artistic works, a...
Copyright law and the Internet are at an impasse. The looming question is how to approach unlicen...
U.S. copyright law gives successful plaintiffs who promptly registered their works the ability to el...
(Excerpt) This Note argues that Congress should adopt an amendment to the Copyright Act that disting...
Statutory damage awards are controversial in copyright law. To some, statutory damages are indispens...
The U.S. Copyright Act does not provide for punitive damages per se to be awarded in cases of copyri...
The interaction between music and law is unique to copyright litigation. Music is “commonly regarded...
Due to the ambiguous language of Section 504(c) of the Copyright Act of 1976, judges and legal schol...
This Note argues that statutory copyright damages are properly regarded as equitable and hence that ...
Part I of this Note outlines the factual and procedural history of Williams and discusses the Ninth ...
The jury in Williams v. Bridgeport Music, Inc. (the “Blurred Lines” trial) found that Pharrell Willi...
In 2014, rock legends Led Zeppelin were sued by a relatively obscure band, named Spirit, for copyrig...
In Grand Upright Music Ltd. v. Warner Bros. Records, Inc., plaintiff was the copyright owner of Alo...
The Copyright Act limits statutory damages in a copyright action to one award for every work that a...
In Williams v. Bridgeport Music, Marvin Gaye’s estate alleged that the popular song “Blurred Lines” ...
Musical copyright disputes often arise involving various parties, applicable laws, artistic works, a...
Copyright law and the Internet are at an impasse. The looming question is how to approach unlicen...
U.S. copyright law gives successful plaintiffs who promptly registered their works the ability to el...
(Excerpt) This Note argues that Congress should adopt an amendment to the Copyright Act that disting...
Statutory damage awards are controversial in copyright law. To some, statutory damages are indispens...
The U.S. Copyright Act does not provide for punitive damages per se to be awarded in cases of copyri...
The interaction between music and law is unique to copyright litigation. Music is “commonly regarded...
Due to the ambiguous language of Section 504(c) of the Copyright Act of 1976, judges and legal schol...
This Note argues that statutory copyright damages are properly regarded as equitable and hence that ...
Part I of this Note outlines the factual and procedural history of Williams and discusses the Ninth ...
The jury in Williams v. Bridgeport Music, Inc. (the “Blurred Lines” trial) found that Pharrell Willi...
In 2014, rock legends Led Zeppelin were sued by a relatively obscure band, named Spirit, for copyrig...
In Grand Upright Music Ltd. v. Warner Bros. Records, Inc., plaintiff was the copyright owner of Alo...
The Copyright Act limits statutory damages in a copyright action to one award for every work that a...
In Williams v. Bridgeport Music, Marvin Gaye’s estate alleged that the popular song “Blurred Lines” ...
Musical copyright disputes often arise involving various parties, applicable laws, artistic works, a...
Copyright law and the Internet are at an impasse. The looming question is how to approach unlicen...