Multi-disciplinary performance that explored interactive elements between video, sound and glitter. Generative loops were used to create a dynamic sonic field above a bass speaker, which acted as a performative space for different types of glitter. This was then integrated into video using a multi-camera set-up, and mixed with graphic modifiers. Generative sound feedback was also achieved by recording the audience and glitter bounce
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...
© 2016 ISAST. Danceroom Spectroscopy is an interactive audiovisual art installation and performance ...
This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lu...
Multi-disciplinary performance that explored interactive elements between video, sound and glitter. ...
Live AV performance at The Vivid Projects Gallery as part of The Supersonic Festival 2018. This was ...
Fluidity is an experimental music video that explores the behaviour of water motion. Water motion is...
International audienceThis work questions our relationship to time and cosmic phenomena that occur o...
Part 1: Art and MusicInternational audienceWe have been working on the creation of media art utilizi...
A sound art collaboration between Hamilton based sound artist Kent Macpherson and visiting Japanese ...
Interactive Sound Fountains was commissioned by Nottingham Contemporary. It is an interactive instal...
This paper describes an audio-visual performance system based on real-time fluid simulation. The aim...
“Supermassive” is a synchronised four-channel video installation with sound. Each video channel show...
Molecular Music is an offshoot of a long-term collaborative project, the multi- award winning dancer...
This paper describes the development of an audio-visual performance system which applies 'reality ba...
formuls is the audiovisual performance environment created by James Dooley. The improvised performan...
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...
© 2016 ISAST. Danceroom Spectroscopy is an interactive audiovisual art installation and performance ...
This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lu...
Multi-disciplinary performance that explored interactive elements between video, sound and glitter. ...
Live AV performance at The Vivid Projects Gallery as part of The Supersonic Festival 2018. This was ...
Fluidity is an experimental music video that explores the behaviour of water motion. Water motion is...
International audienceThis work questions our relationship to time and cosmic phenomena that occur o...
Part 1: Art and MusicInternational audienceWe have been working on the creation of media art utilizi...
A sound art collaboration between Hamilton based sound artist Kent Macpherson and visiting Japanese ...
Interactive Sound Fountains was commissioned by Nottingham Contemporary. It is an interactive instal...
This paper describes an audio-visual performance system based on real-time fluid simulation. The aim...
“Supermassive” is a synchronised four-channel video installation with sound. Each video channel show...
Molecular Music is an offshoot of a long-term collaborative project, the multi- award winning dancer...
This paper describes the development of an audio-visual performance system which applies 'reality ba...
formuls is the audiovisual performance environment created by James Dooley. The improvised performan...
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...
© 2016 ISAST. Danceroom Spectroscopy is an interactive audiovisual art installation and performance ...
This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lu...