Explains that movement is the language of the dance and shows how emotion can be transformed into a dance movement for one person, a group of dancers, or an entire company. Features the television premiere of Jos{caron} Limon's ballet There is a time, for which Norman Dello Joio composed his Meditations on Ecclesiastes. This film has been digitized because it has a high level of Vinegar Syndrome (chemical deterioration). That condition will prevent any captured images from being 100% perfect. Our goal is to present the content of the film in a digital format that is as good and the least distracting as possible
The essay by Nicola Dusi, "Bodies, Space-Time, Movement: translating Dance in Film and Video Art", c...
Dance in entertainment film media, cinema dance, is a hot topic in the current arts world, originati...
Moving Pictures: dance screen making as choreographic process is a practice led enquiry made up of ...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
In Motion and Representation, Nicolás Salazar Sutil considers the representation of human motion thr...
The obvious link one can make between dance and cinema is that both disciplines involve movement. Mo...
"A Language for Movement" (1996) is part of an Open University series entitled "Seeing through Mathe...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
Uses split-frame photography and superimposition of images to show a complex modern dance that was c...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
The essay by Nicola Dusi, "Bodies, Space-Time, Movement: translating Dance in Film and Video Art", c...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
The essay by Nicola Dusi, "Bodies, Space-Time, Movement: translating Dance in Film and Video Art", c...
Dance in entertainment film media, cinema dance, is a hot topic in the current arts world, originati...
Moving Pictures: dance screen making as choreographic process is a practice led enquiry made up of ...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
In Motion and Representation, Nicolás Salazar Sutil considers the representation of human motion thr...
The obvious link one can make between dance and cinema is that both disciplines involve movement. Mo...
"A Language for Movement" (1996) is part of an Open University series entitled "Seeing through Mathe...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S,...
Uses split-frame photography and superimposition of images to show a complex modern dance that was c...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
The essay by Nicola Dusi, "Bodies, Space-Time, Movement: translating Dance in Film and Video Art", c...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
This is the transcript for the video "A Language for Movement" (1996) which is part of an Open Unive...
The essay by Nicola Dusi, "Bodies, Space-Time, Movement: translating Dance in Film and Video Art", c...
Dance in entertainment film media, cinema dance, is a hot topic in the current arts world, originati...
Moving Pictures: dance screen making as choreographic process is a practice led enquiry made up of ...