Add to ORKGDuring the century between 1750 and 1850, Britain experienced a major transformation of its economy and society. Among the important changes which occurred was the revolution in the structure and status of occupations. While many social and occupational groups benefited from new economic opportunities, others found themselves losing status. The quest by such groups for a new middle-class status based on the legitimacy and respectability of their occupations--professionalization--became a characteristic feature of this period. The musical profession is uniquely situated in this process. While it shared the characteristics of many aspiring professions, its efforts to professionalize were thwarted by several economic and cultural factors. Even...
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
This paper attempts to explain three widely-held 'stylised facts' about the recent history of north ...
<p>In this dissertation, I argue that musicians began to emerge as a professional class during the F...
During the century between 1750 and 1850, Britain experienced a major transformation of its economy ...
Professionalisation was a key feature of the changing nature of work and society in the nineteenth c...
Music teaching formed an important source of income for many musicians in the nineteenth century, wh...
Over the course of the long nineteenth century, the status and identity of the musicians in British ...
Late-nineteenth-century London boasted a wealth of opportunities for aspiring professional musicians...
Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, t...
Existing accounts of the music profession argue that between 1750 and 1850 musicians acquired a new ...
The end of the nineteenth century marks the beginnings of the popular music industry. Although the s...
In this thesis I search for the realities of the reception of prodigies who are small musicians in B...
Thomas Linley junior, a musician in the late eighteenth century, created networks to facilitate his ...
A brief introduction outlines the social and economic changes during the period with reference to S...
The entrance of women into the male-dominated spheres of the professions and the arts has been a maj...
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
This paper attempts to explain three widely-held 'stylised facts' about the recent history of north ...
<p>In this dissertation, I argue that musicians began to emerge as a professional class during the F...
During the century between 1750 and 1850, Britain experienced a major transformation of its economy ...
Professionalisation was a key feature of the changing nature of work and society in the nineteenth c...
Music teaching formed an important source of income for many musicians in the nineteenth century, wh...
Over the course of the long nineteenth century, the status and identity of the musicians in British ...
Late-nineteenth-century London boasted a wealth of opportunities for aspiring professional musicians...
Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, t...
Existing accounts of the music profession argue that between 1750 and 1850 musicians acquired a new ...
The end of the nineteenth century marks the beginnings of the popular music industry. Although the s...
In this thesis I search for the realities of the reception of prodigies who are small musicians in B...
Thomas Linley junior, a musician in the late eighteenth century, created networks to facilitate his ...
A brief introduction outlines the social and economic changes during the period with reference to S...
The entrance of women into the male-dominated spheres of the professions and the arts has been a maj...
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
This paper attempts to explain three widely-held 'stylised facts' about the recent history of north ...
<p>In this dissertation, I argue that musicians began to emerge as a professional class during the F...