This book\u27s primary subject is Kuniyoshi\u27s self-identity during WW II. Tagged an enemy alien for his name and looks, the artist had much to ponder over his sense of divided self even though, having immigrated to the US in 1906 when 13 years old, his Japanese linguistic and cultural heritage was presumably negligible, and his social status as a respected New York artist in his 50s was well assured. The first two chapters probe his anxiety about inner security and public image. The author then discusses the 1943 painting Somebody Tore My Poster, illustrated on the jacket (the only color reproduction), providing a strenuous iconographic reading designed to serve as evidence of the artist\u27s personal crisis. The final section concerns t...
This historically important document is a translation of a humorous comic book published in 1931 bas...
Roger Daniels is one of the premier scholars of Asian American history and has previously done pathb...
International audienceThis is a review of the book "Getting the Picture: The Visual Culture of the N...
Citizen 13660, first published in 1946, is part of the scant first-person record of Japanese America...
I was twenty-eight years old when I visited the Whitney Museum for the first time. I immediately das...
Shikataganai! Shikataganai! It cannot be helped. The internment of Japanese Americans during World ...
Analyzing the Nisei Week Festival in Los Angeles, Lon Kurashige provides an important account of thi...
Nisei, meaning American-born second-generation Japanese, is an epic scale undertaking of the recordi...
Social Solidarity among the Japanese in Seattle is a rare and irreplaceable study of Japanese Americ...
In 1987, the Smithsonian Institution, as part of its observance of the bicentennial of the Constitut...
Yasuo Kuniyoshi (1889-1953) was a Japanese-American émigré artist active and successful in the Unite...
Japanese language schools in California are chronicled from the early twentieth century until the ev...
The major accomplishment of this collection of first-person reminiscences and third-person authorial...
For those interested in relations between Japan and the United States, this book is timely. It trace...
In Beyond Citizenship Peter Spiro advances a bracing premise: American citizenship has lost its mean...
This historically important document is a translation of a humorous comic book published in 1931 bas...
Roger Daniels is one of the premier scholars of Asian American history and has previously done pathb...
International audienceThis is a review of the book "Getting the Picture: The Visual Culture of the N...
Citizen 13660, first published in 1946, is part of the scant first-person record of Japanese America...
I was twenty-eight years old when I visited the Whitney Museum for the first time. I immediately das...
Shikataganai! Shikataganai! It cannot be helped. The internment of Japanese Americans during World ...
Analyzing the Nisei Week Festival in Los Angeles, Lon Kurashige provides an important account of thi...
Nisei, meaning American-born second-generation Japanese, is an epic scale undertaking of the recordi...
Social Solidarity among the Japanese in Seattle is a rare and irreplaceable study of Japanese Americ...
In 1987, the Smithsonian Institution, as part of its observance of the bicentennial of the Constitut...
Yasuo Kuniyoshi (1889-1953) was a Japanese-American émigré artist active and successful in the Unite...
Japanese language schools in California are chronicled from the early twentieth century until the ev...
The major accomplishment of this collection of first-person reminiscences and third-person authorial...
For those interested in relations between Japan and the United States, this book is timely. It trace...
In Beyond Citizenship Peter Spiro advances a bracing premise: American citizenship has lost its mean...
This historically important document is a translation of a humorous comic book published in 1931 bas...
Roger Daniels is one of the premier scholars of Asian American history and has previously done pathb...
International audienceThis is a review of the book "Getting the Picture: The Visual Culture of the N...