Ukiyo-e is the image of a floating and fleeting world. This was the name given to Japanese printmaking at the end of the seventeenth century. The passing world of time, the world of the pleasures of gallant society of Edo (Tokyo), is the essential theme behind this art of printmaking. There are scenes of shows, portraits of women, parodies, scenery – the site offers a comprehensive vision of this fleeting art, intimately linking realism and spirituality and the detailed exploration of the works of great masters such as Hokusai and Hiroshige. There are close-ups on two full works: the Thirty-six views of Mount Fuji by Hokusai and the Fifty-three stations of the Tokaido by Hiroshige. They are in album form so that one can roam fro...
Ukiyo-e: Japanese Prints of the Floating World March 3 to April 17, 1994 Marsh Art Gallery Introduc...
This colouring book features selected manga by Katsushika Hokusai (1760-1849), Japanese artist and w...
In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanes...
Ukiyo-e is the image of a floating and fleeting world. This was the name given to Japanese printmaki...
Well reproduced Japanese prints, releasing subject matter from deep links with purely academical gro...
The art of the Ukiyo-e print, sometimes referred to by its fanciful title as “Images of the Floating...
The art of the Ukiyo-e print, sometimes referred to by its fanciful title as “Images of the Floating...
Ukiyo-e , image d’un monde flottant, éphémère. C'est sous cette appellation qu'apparaît, à la fin du...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Till describes early Japanese ukiyo-e prints, the development of the modern Japanese print movement ...
This study of japonisme is divided into two major parts: The first examines a number of primary reco...
Cover title: Japanese color prints.Catalog of an exhibition held at the Yamanaka Galleries, New York...
Ukiyo-e: Japanese Prints of the Floating World March 3 to April 17, 1994 Marsh Art Gallery Introduc...
This colouring book features selected manga by Katsushika Hokusai (1760-1849), Japanese artist and w...
In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanes...
Ukiyo-e is the image of a floating and fleeting world. This was the name given to Japanese printmaki...
Well reproduced Japanese prints, releasing subject matter from deep links with purely academical gro...
The art of the Ukiyo-e print, sometimes referred to by its fanciful title as “Images of the Floating...
The art of the Ukiyo-e print, sometimes referred to by its fanciful title as “Images of the Floating...
Ukiyo-e , image d’un monde flottant, éphémère. C'est sous cette appellation qu'apparaît, à la fin du...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Ukiyo-E and 20th Century Japanese prints, Fall 2000https://digitalcommons.lasalle.edu/exhibition_cat...
Till describes early Japanese ukiyo-e prints, the development of the modern Japanese print movement ...
This study of japonisme is divided into two major parts: The first examines a number of primary reco...
Cover title: Japanese color prints.Catalog of an exhibition held at the Yamanaka Galleries, New York...
Ukiyo-e: Japanese Prints of the Floating World March 3 to April 17, 1994 Marsh Art Gallery Introduc...
This colouring book features selected manga by Katsushika Hokusai (1760-1849), Japanese artist and w...
In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanes...