The amount of sound exposure of musicians within a symphonic orchestra is dependent on a large number of aspects. Among these aspects are the many different musical instruments and the impact of room acoustics by the reflected sound. However, it is impossible to obtain separately the contribution of each different aspect from the individually measured sound exposure. Therefor a sound level prediction model was proposed based on measured directivity and sound power of musical instruments and measured STearly,d and STlate,d (Early and Late Support parameter) over various distances. As part of this model, the sound level at the ears caused by the direct sound of the own musical instrument is estimated using the directivity and sound power meas...
Acousticians generally assess the acoustic qualities of a concert hall or any other room using impul...
cote interne IRCAM: Misdariis98aNone / NoneNational audienceSeveral studies dealing with the percept...
Musicians in the orchestra pit often report problems with too high sound levels during performances....
Members and directors of symphonic orchestras are concerned about the noise levels musicians are exp...
Musicians in a symphony orchestra rely on the direct and reflected sound on a concert hall stage to ...
Background: Assessment of sound exposure by noise dosimetry can be challenging especially when measu...
In this paper a binaural auditory model was used to compute reverberance estimates in four simulated...
International audienceIn this paper a binaural auditory model was used to compute reverberance estim...
A number of metrics for assessing the acoustical conditions for performers on concert hall stages ha...
Direct-to-reverberant ratio threshold for localization was studied with anechoic orchestra instrumen...
A simple method is described to record the radiated sound of musical instruments and to extrapolate ...
Symphony orchestra musicians are exposed to noise levels that put them at risk of developing hearing...
In a project that has been funded by the German Ministery of Research and Technology (BMFT) fundamen...
The presented study aimed to do investigations on the balance of the sound components found at the e...
2.2 Results The directivity representation of musical instruments in room acoustic simulations has s...
Acousticians generally assess the acoustic qualities of a concert hall or any other room using impul...
cote interne IRCAM: Misdariis98aNone / NoneNational audienceSeveral studies dealing with the percept...
Musicians in the orchestra pit often report problems with too high sound levels during performances....
Members and directors of symphonic orchestras are concerned about the noise levels musicians are exp...
Musicians in a symphony orchestra rely on the direct and reflected sound on a concert hall stage to ...
Background: Assessment of sound exposure by noise dosimetry can be challenging especially when measu...
In this paper a binaural auditory model was used to compute reverberance estimates in four simulated...
International audienceIn this paper a binaural auditory model was used to compute reverberance estim...
A number of metrics for assessing the acoustical conditions for performers on concert hall stages ha...
Direct-to-reverberant ratio threshold for localization was studied with anechoic orchestra instrumen...
A simple method is described to record the radiated sound of musical instruments and to extrapolate ...
Symphony orchestra musicians are exposed to noise levels that put them at risk of developing hearing...
In a project that has been funded by the German Ministery of Research and Technology (BMFT) fundamen...
The presented study aimed to do investigations on the balance of the sound components found at the e...
2.2 Results The directivity representation of musical instruments in room acoustic simulations has s...
Acousticians generally assess the acoustic qualities of a concert hall or any other room using impul...
cote interne IRCAM: Misdariis98aNone / NoneNational audienceSeveral studies dealing with the percept...
Musicians in the orchestra pit often report problems with too high sound levels during performances....