This study aims to identify the materials used in the production of a post-byzantine icon from the Museum of Évora’s collection. The icon, representing the “Emperor Constantine and his mother Helen holding the Holy Cross” was once dated as being from the 10th century. Throughout a multi-analytical approach, combining area exams with spectroscopic techniques, this study tried to confirm its actual chronology. The results obtained revealed that it is most likely an icon from the late 17th or 18th century
This study identifies the techniques and materials of thirteenth century Byzantine Cypriot wall pain...
The old katholikon of St Stephen's monastery at the Meteora (site of the most important complex of m...
International audienceThe paper presents fragments of a Byzantine icon discovered in 2015 during reg...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
Abstract- The aim of study is identification, determination, and assessment of the painting material...
The present study provides an account of the technique of mordant gilding and the materials used for...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
The present work is part of a project aimed at studying the pigments and painting techniques used by...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
noA comprehensive study has been undertaken into a 13th century Coptic-Byzantine icon from the St. M...
This study identifies the techniques and materials of thirteenth century Byzantine Cypriot wall pain...
The old katholikon of St Stephen's monastery at the Meteora (site of the most important complex of m...
International audienceThe paper presents fragments of a Byzantine icon discovered in 2015 during reg...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
Abstract- The aim of study is identification, determination, and assessment of the painting material...
The present study provides an account of the technique of mordant gilding and the materials used for...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
The present work is part of a project aimed at studying the pigments and painting techniques used by...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
noA comprehensive study has been undertaken into a 13th century Coptic-Byzantine icon from the St. M...
This study identifies the techniques and materials of thirteenth century Byzantine Cypriot wall pain...
The old katholikon of St Stephen's monastery at the Meteora (site of the most important complex of m...
International audienceThe paper presents fragments of a Byzantine icon discovered in 2015 during reg...