Submitted in partial fulfillment of the requirements for the degree of Master of ArtsIn this work, I have not been concerned so much with the trivial events and facts of art in history, as I have desired to interpret in a broader sense the political and social condition of the age through the medium of its sculpture and its monuments. Art was always significant of the culture of races and peoples, but never more so than in the Hellenistic age. Every old and new center recorded unconsciously its deeds and thoughts in stone, or metal, and they survive, in part, to tell us the story.Includes bibliographical references
The aim of this study is to measure the extent of the 'Greek revivals' in official British and Frenc...
This thesis is an aetiological investigation of the Hellenistic and Roman figural bronze statuettes ...
All art history involves inherent tensions between the materiality of the works of art - their roote...
In this study, the emergence of Hellenistic Art, historical and social background that constitutive ...
This dissertation investigates the relationship between art and emotion in Archaic and Classical Gre...
This volume stems from two sources. One is my teaching Greek art and architecture to undergraduate ...
The papers in this volume derive from the proceedings of the nineteenth International Bronze Congres...
Hellenistic Bronze Statuary By Catherine Olson The fall of Alexander the Great in 323 B.C.E marks th...
The dissertation project, “Retrospection in Classical Athens: Notions of the Past in the Late Fifth ...
This research is an attempt to identify and identify the intellectual aesthetic exclusion of Greek a...
This dissertation presents the first synthetic analysis of the art and archaeology of Hellenistic ro...
Recent work in ancient art history has sought to move beyond formalist interpretations of works of a...
This dissertation presents the first synthetic analysis of the art and archaeology of Hellenistic ro...
To what extent can we talk about Greco-Roman processes of making, viewing, and writing about images ...
This thesis explores the development of naturalistic rendering of emotion in the art of Greece throu...
The aim of this study is to measure the extent of the 'Greek revivals' in official British and Frenc...
This thesis is an aetiological investigation of the Hellenistic and Roman figural bronze statuettes ...
All art history involves inherent tensions between the materiality of the works of art - their roote...
In this study, the emergence of Hellenistic Art, historical and social background that constitutive ...
This dissertation investigates the relationship between art and emotion in Archaic and Classical Gre...
This volume stems from two sources. One is my teaching Greek art and architecture to undergraduate ...
The papers in this volume derive from the proceedings of the nineteenth International Bronze Congres...
Hellenistic Bronze Statuary By Catherine Olson The fall of Alexander the Great in 323 B.C.E marks th...
The dissertation project, “Retrospection in Classical Athens: Notions of the Past in the Late Fifth ...
This research is an attempt to identify and identify the intellectual aesthetic exclusion of Greek a...
This dissertation presents the first synthetic analysis of the art and archaeology of Hellenistic ro...
Recent work in ancient art history has sought to move beyond formalist interpretations of works of a...
This dissertation presents the first synthetic analysis of the art and archaeology of Hellenistic ro...
To what extent can we talk about Greco-Roman processes of making, viewing, and writing about images ...
This thesis explores the development of naturalistic rendering of emotion in the art of Greece throu...
The aim of this study is to measure the extent of the 'Greek revivals' in official British and Frenc...
This thesis is an aetiological investigation of the Hellenistic and Roman figural bronze statuettes ...
All art history involves inherent tensions between the materiality of the works of art - their roote...